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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is Latin Impossible For Choirs?

Jeff Ostrowski · July 16, 2015

503 Latin Stained Glass Window In 1958, the Sacred Congregation for Rites declared: 1

98c. The singers, too—children as well as adults—must be taught the meaning of the liturgical functions and of the texts they sing (according to their individual capacity to understand).

To obey these commands, each week I provide special scores for my choir. The examples below will be sung this coming Sunday. Do you see how the choir members can understand what’s being sung?

    * *  PDF Download • INTROIT

    * *  Mp3 Download • INTROIT

    * *  PDF Download • COMMUNION

    * *  Mp3 Download • COMMUNION

Where there’s a will, there’s a way.

STORIES HAVE BEEN TOLD about priests who came into the offices of Bishop Donald Trautman requesting permission to say the Extraordinary Form. 2 Bishop Trautman would begin speaking to them in Latin, and if they couldn’t respond to his satisfaction, they were not granted permission. Leave aside the fact that Bishop Trautman seems to be a little confused about what is required. 3 The point is, Bishop Trautman is trying to be rigid about the rules. None of us can begrudge a bishop who wants to be rigid about the rules, right?

I just hope Bishop Trautman applied equal “rigidity” to other Church directives, such as:

The program of priestly formation is to provide that students not only are carefully taught their native language but also understand Latin well. (Code of Canon Law, 1983)

In accordance with the centuries-old tradition of the Latin rite, the Latin language is to be retained by clerics in the divine office. (Vatican II)

Steps should be taken so that the faithful may also be able to say—or sing together—in Latin those parts of the Ordinary of the Mass which pertain to them. (Vatican II)

The Church acknowledges Gregorian chant as specially suited to the Roman liturgy: therefore, other things being equal, it should be given first place in liturgical services. (Vatican II)

Particular law remaining in force, the use of the Latin language is to be preserved in the Latin rites. (Vatican II)

Those instruments which are, by common opinion and use, suitable for secular music only, are to be altogether prohibited from every liturgical celebration and from popular devotions. (Musicam Sacram, 1967)

Where there’s a will, there’s a way.

CARDINAL RATZINGER HAS POINTED OUT that nobody can fully “understand” the liturgy. Could there be a correlation between people who always insist they “know better” and the disobedience rampant in our Church? Could it be a type of arrogance that begets arrogance? Moreover, we’ve seen the results of Scripture scholars who wrongly believe it’s possible to fully understand every word of the Bible. When they come across a difficult section, they apply their own meaning (a serious violation). To such people, uttering the words “we don’t know” is unthinkable. We’ve also seen the results of 1970s English translations by ICEL, which were praised by “progressive” leaders like Bishop Trautman and Fr. Diekmann. When others tried to make improvements, Diekmann claims he got so angry he began to “froth at the mouth.”

But look at these 1970s translations; are they really so brilliant? So fabulous?

    * *  PDF Download • First Example

    * *  PDF Download • Second Example

Speaking of Fr. Godfrey Diekmann, 4 we’ve seen the results of predictions by men like him. He said that unless Latin was eliminated from the Divine Office, monastic life would be “doomed to extinction,” asking:

What young candidate for the priesthood would ever consider the monastic life if there is even the possibility of having to spend three hours a day praying or singing the Office in Latin?

Anyone who looks at chart showing the number of monks in 1950 versus today—when our population has grown so much—will observe the sad (undeniable) truth. The bottom line was that Diekmann wanted to eliminate Latin. The notion that some priests did not understand Latin as well as he thought they should was merely an excuse. He tried to push his ideas in Rome during the 1960s, but several Roman clerics pushed back:

They were always friendly. I must say that about the Roman policy. But they would ask questions: “Is that so?”; “Well, if they don’t know Latin, why don’t they study Latin?”

These sensible Roman clerics realized the problem itself must be addressed. Suppose you have a mosquito bite on your leg that’s annoying you; do you amputate your leg? That would certainly eliminate the mosquito bite; but wouldn’t it make more sense to simply address the problem?

Where there’s a will, there’s a way.



NOTES FROM THIS ARTICLE:

1   That sentence is important, but the following section should also be taken into consideration:

29. They are especially worthy of praise who use a small missal suitable to their understanding and pray along with the priest in the very words of the Church. But, since not all are equally capable of understanding properly the rites and formulas, and since spiritual needs are not the same—and are not always the same for any individual—there are more easy and suitable ways of participating for some.

2   These stories must be from before 2007; thanks to Summorum Pontificum, priests no longer need permission to offer the Extraordinary Form.

3   For example, you don’t need to be fluent in spoken Latin to understand what “Agnus Dei” means, just as you don’t need to be fluent in spoken Hebrew to understand what “Alleluia” means. Similarly, having played Spanish Masses each Sunday for seven years, my Ecclesiastical Spanish became halfway decent—but you do not want to hear me try and order something from a menu in Spanish.

4   Fr. Godfrey Diekmann was a leading “progressive” liturgist, who favored women’s ordination and other innovations. Diekmann’s monastery published a book recounting what he did behind the scenes at Vatican II, and it’s enough to make those who care about the Catholic liturgy weep. On page 288 of this book, Fr. Godfrey Diekmann proudly admits to giving Holy Communion to people who were not Catholic—and who had made this clear to him in advance. I’m not a theologian, but I’m told that’s a huge “No-No” as far as the Church is concerned.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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