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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update II

Fr. David Friel · June 3, 2015

UESDAY was another day filled with excellent lectures at Sacra Liturgia USA 2015. In addition to the lectures, the liturgies have been most rewarding, and the hospitality of St. Catherine of Siena Parish, in the care of the Dominicans, has been first-rate.

The morning’s first lecture was delivered by Rev. Thomas Kocik, former editor of the journal Antiphon. The title of the talk was simply, “The Reform of the Reform.” Father Kocik’s fundamental assertion was that any authentic reform of the reform must begin with the Extraordinary Form as the point of departure, not the Ordinary Form.

In the course of his presentation, Father Kocik also listed a number of practical ideas for how a priest might transform his celebration of the Ordinary Form. Among his ideas were these:

1. Use the rite of blessing for water, with the proper chants, in place of the Penitential Act.

2. Employ the proper chants during each of the processions.

3. Chant the orations, prefaces, & the Gospel.

4. Use incense on every Sunday & solemnity, not just on special occasions.

5. Omit the intercessions on weekdays.

6. Opt for a silent preparation of the gifts.

7. Do not neglect the Latin language.

8. After catechesis, introduce the celebration of Mass ad orientem. [In the interim, consider using the “Benedictine arrangement.”]

9. Wear black vestments for funerals, All Souls Day, and other Masses for the Dead.

10. Do not omit the optional sequences.

11. Occasionally use the Gradual instead of the Responsorial Psalm.

12. Utilize the full complement of Votive Masses in the Missal.

13. Use the Roman Canon.

14. Bow your head at the names of the Trinity, the BVM, and the saint of the day.

All of these suggestions, of course, fall within the bounds of current liturgical law and require no special permission. Many priests have already taken some or all of these steps toward bridging the gap between the Ordinary & Extraordinary Forms.

Dr. Margaret Hughes (sister of fellow blogger David Hughes) gave a marvelous presentation entitled “The Ease of Beauty: Liturgy, Evangelization, and Catechesis.” Her paper gave evidence of her mastery of philosophy and bore the mark of her specialization in the philosophy of Joseph Pieper.

Among her many salient points, Dr. Hughes proposed that resting in what is good is the truest, fullest way of being active. She also said that “beauty is a harmonious meeting of the objective and subjective.” Of course, the experience of beauty in life should remind us that we are wayfarers on a journey, en route to the vision of total beauty.

Mr. Gregory Glenn is the founder & Pastoral Administrator of the Cathedral of the Madeleine Choir School in Salt Lake City, UT. He gave an engaging and humorous lecture outlining the history of how his choir school came into existence and how it has come to flourish. I am in awe of what he and his helpers have accomplished. Mr. Glenn did not inherit a well-established institution, after all; he forged the choir school, rather, from nothing and shaped it into a seedbed for world-class art.

In passing, Mr. Glenn pondered how some people can complain that it is too difficult for children to learn a Gregorian Mass ordinary. He offered a fascinating statistic that there are only 283 words in the Latin ordinary. Surely, children are capable of approaching such a limited number of vocabulary words.

Several other wonderful presentations have been made so far. I sincerely hope that the ideas being shared this week with conference attendees will lead to liturgical revitalization at the grassroots level in the communities we serve.

682 Sacra

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Authentic Liturgical Renewal Reform, Beauty, Catholic Youth Choirs, Latin, Liturgy of the Second Vatican Council, Omitting The Sequence On Pentecost, Propers, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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