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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is the 1998 ICEL Missal Translation Worth Another Look?

Fr. David Friel · June 21, 2015

MAKE NO SECRET of my appreciation for the 2011 English translation of the third typical edition of the Roman Missal. I am an unabashed supporter who has publicly sung the praises of this new translation very often (for example, in an article for Homiletic & Pastoral Review and on Views from the Choir Loft HERE, HERE, & HERE).

I would be hard-pressed to think of a parishioner who dislikes the new translation. The occasions when I’ve heard a complaint about it from an ordinary churchgoer are extremely few. This translation received an overwhelmingly positive response from a September 2012 CARA study, which found that 7 in 10 Catholics feel the new translation is “a good thing.”

Yet, when reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation. Why is there this dichotomy?

One of the most commonly proffered solutions to the “offensive,” “clunky,” and “imposed” new translation is that we should scrap it and simply use the 1998 English translation that was the result of many years of work. In a recent letter to the editor of The Tablet, Father Gerald O’Collins, SJ, made an impassioned plea that permission be given to use the 1998 translation. All such requests have been denied by Archbishop Arthur Roche, Secretary of the CDW.

I will not explore all the issues with the 1998 translation in detail here. Suffice it to say that its creators subscribed to the theory of “dynamic equivalence,” and the result was a very “dynamic” translation. This principle of translation, of course, was supplanted by the method of “formal correspondence” by directive of the 2001 document Liturgiam Authenticam.

The most important reason why the 1998 translation cannot simply be used to replace the 2011 translation, however, is often overlooked. The reason is this: the 1998 text is a translation of the second typical edition of the Roman Missal from 1975. The third typical edition was promulgated in Latin in 2002. How could we reasonably revert to a translation of an outdated Missal, much less such a loose translation that never held any force? The 1998 translation is obsolete in every way.

There is no need to go back to another translation, nor is there a need to craft hastily another translation. The present missal is imperfect, I admit, but it is a monstrous step forward from the previous ICEL translation of 1970. It has many merits of its own accord, independent of comparison to other translations. Its texts & rhythms & beauty have nourished my young priesthood, and it is nourishing the faith of English speakers worldwide. Praise God, from Whom this blessing has flowed!

Editor’s Note : We thank Fr. Friel for another wonderful post. Regarding the “lack of consultation” myth—which Fr. Friel didn’t have time to address in this article—it’s worth pointing out that Msgr. Andrew Wadsworth has utterly repudiated this. He has publicly stated that each bishop remained free to consult whomever they wished throughout the process, and no restrictions whatsoever were placed upon them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1998 Rejected Sacramentary, ICEL New Translation of the Roman Missal, Roman Missal Third Edition, The Old ICEL Translation of the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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