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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update IV

Fr. David Friel · June 4, 2015

NE OF THE MOST engaging talks we heard during this conference came from one of the co-organizers of the event, Rev. Richard Cipolla, now pastor of St. Mary’s Church in Norwalk, CT. Under the title “Liturgy as the Source of Priestly Identity,” Fr. Cipolla’s words were of interest to clergy & laity alike.

He remarked at one point about the poverty of the term “presider,” which ignores the essential character of priestly life. The priest, after all, is more than just a random person appointed to lead the assembly; he is the one charged with the duty of offering the sacrifice. In Fr. Cipolla’s words, “To refer to the priest as ‘presider’ surely does damage to his priestly identity.”

After making this point, Fr. Cipolla raised the topic of ad orientem worship, which he considers the natural consequence of reclaiming the sacrificial character of the priest. When the Holy Sacrifice is offered versus populum, this posture forces the priest to engage congregants as if “across the table,” instead of joining in the sacrifice as one of them (and as their leader). Fr. Cipolla encouraged us to reject “the positivism that says what has happened over the last fifty years is necessarily good and true and just.” I hope & expect that the experiment of versus populum Masses will be retired in the years ahead.

There was one more significant point made in this lecture, and it concerned papal infallibility. A convert from Anglicanism, himself, Fr. Cipolla is a well learned devotee of John Henry Cardinal Newman. Cardinal Newman feared the result of defining papal infallibility, not because he disbelieved it, but because of the resulting ultramontanism it might engender.

One could easily argue that the last century-and-a-half of Church history has been significantly influenced by various strains of ultramontanism. In the view of Fr. Cipolla, this is “one of the biggest challenges facing the Church in the 21st Century.”

LET ME CLOSE with a quick word about the beautiful conference liturgies. These celebrations were all held in the parish church of Saint Catherine of Siena in the Upper East Side, staffed by Dominicans.

On our first evening here, we joined in prayer at Solemn Vespers in the presence of a greater prelate, according to the Extraordinary Form. Vespers were sung by the Schola Dominicana of the parish, itself. His Eminence, Raymond Leo Cardinal Burke processed in cappa magna and sat upon a faldstool erected in the sanctuary.

Late on Tuesday afternoon, we assisted at a Solemn Votive Mass of the Holy Angels, celebrated in the Extraordinary Form by Father Sean Connolly, a newly-ordained priest of the Archdiocese of New York. During this Mass, the inimitable David Hughes served as organist, and his student schola sang the Gregorian propers & a playful polyphonic Mass (Missa Ego flos campi, Juan Gutiérrez de Padilla).

Wednesday concluded with the celebration of a Pontifical Mass in Latin in the Novus ordo. This Mass was offered by Archbishop Cordileone and a limited group of concelebrants. Music was provided by the professional Schola Cantorum of the Church of St. Agnes (where Bishop Fulton Sheen often preached). Led by organist & choirmaster James D. Wetzel, the choir sang Josef Rheinberger’s Mass in E Flat Major.

The final day of the conference fortuitously fell on the Solemnity of Corpus Christi, so a solemn Mass in the Extraordinary Form was celebrated by Most Reverend Joseph Perry, Auxiliary Bishop of Chicago. Musicians included a mix of those who were involved in the earlier liturgies. The conference concluded with a Eucharistic procession through the streets, including stops at St. John Nepomucene Church and St. Vincent Ferrer Church.

HIS WILL CONCLUDE my reporting on Sacra Liturgia USA 2015. There are also many other things that could be said about these wonderful days, but if these were to be described individually, I do not think Views from the Choir Loft could contain the posts that would be written. I am grateful to all the organizers & speakers who have made this conference so instructive, so timely, and so well worth attending. It is my hope that the Sacra Liturgia movement will grow, beginning in July 2016 in London. May the good work begun in these days bear fruit in many souls!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Blessed John Henry Cardinal Newman, Cappa Magna Liturgical Vestment, Extraordinary Form 1962 Missal, Raymond Cardinal Leo Burke, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

Recent Posts

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  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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