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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A little bit of fun

Veronica Brandt · May 23, 2015

EACHING LATIN TO CHILDREN is both exciting and daunting – maybe more daunting because I have not been taught Latin myself for more than a few lessons. It could be a recipe for disaster, but until a better option comes along, I’ll keep learning as much as I can and passing this on.

One morning I settled down with my children to tackle matching the Latin and English in Psalm 53 word for word. We got sidetracked and managed to cobble together a Latin version of Heads and shoulders, knees and toes.

Caput, scapulae, genua, pedes,
  genua, pedes, genua, pedes,
Caput, scapulae, genua, pedes,
  plaudite manibus.

Oculi, nasus, os et aures,
  os et aures, os et aures,
Oculi, nasus, os et aures,
  plaudite manibus.

And if that sounds odd to you, then you probably grew up with the There’s a Tavern in the Town version which seems more prevalent on youtube at least. Here is the tune I grew up with from Play School of the Australian Broadcasting Corporation. 1 I think it is a little easier than the tune for There’s a Tavern in the Town.

      * *   Download the music as a PDF ready to print and as a recording of my boys singing the song.

Note: this is not for liturgical use!

Though it is interesting to notice how often these words appear in liturgical texts.

At Sunday vespers we read: De torrente in via bibet; propterea exaltabit caput. (Psalms 109:7) He shall drink from the torrent in the way, therefore he shall lift up the head.

Scapula gives us the term scapular to describe a garment worn over the shoulders.

Genua gives us genuflect – literally to bend the knee.

Psalm 24:15 Oculi mei semper ad Dominum, quoniam ipse evellet de laqueo pedes meos. My eyes are ever towards the Lord: for he shall pluck my feet out of the snare.

Sometimes we start prayers with this versicle and response: Domine, labia mea aperies. Et os meum annuntiavit laudem tuam. Lord, thou shalt open my lips. And my mouth shall declare thy praise.

Psalm 113:14 talks about false gods: Aures habent, et non audient; nares habent, et non odorabunt. Ears they have, and they do not hear. Noses they have, and they do not smell.

My Latin isn’t great but sounds like nares is somehow related to nasus – maybe nostrils?

So, there’s your lesson plan – a song with actions, plus digging around in prayer books and Scripture for examples. I’ll have to find a place to add it to kidschant.com.



NOTES FROM THIS ARTICLE:

1   Play School has another connection with church music. The theme song was written by Richard Connolly, who wrote many hymns, including Holy Father, God of Might.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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