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Views from the Choir Loft

A little bit of fun

Veronica Brandt · May 23, 2015

EACHING LATIN TO CHILDREN is both exciting and daunting – maybe more daunting because I have not been taught Latin myself for more than a few lessons. It could be a recipe for disaster, but until a better option comes along, I’ll keep learning as much as I can and passing this on.

One morning I settled down with my children to tackle matching the Latin and English in Psalm 53 word for word. We got sidetracked and managed to cobble together a Latin version of Heads and shoulders, knees and toes.

Caput, scapulae, genua, pedes,
  genua, pedes, genua, pedes,
Caput, scapulae, genua, pedes,
  plaudite manibus.

Oculi, nasus, os et aures,
  os et aures, os et aures,
Oculi, nasus, os et aures,
  plaudite manibus.

And if that sounds odd to you, then you probably grew up with the There’s a Tavern in the Town version which seems more prevalent on youtube at least. Here is the tune I grew up with from Play School of the Australian Broadcasting Corporation. 1 I think it is a little easier than the tune for There’s a Tavern in the Town.

      * *   Download the music as a PDF ready to print and as a recording of my boys singing the song.

Note: this is not for liturgical use!

Though it is interesting to notice how often these words appear in liturgical texts.

At Sunday vespers we read: De torrente in via bibet; propterea exaltabit caput. (Psalms 109:7) He shall drink from the torrent in the way, therefore he shall lift up the head.

Scapula gives us the term scapular to describe a garment worn over the shoulders.

Genua gives us genuflect – literally to bend the knee.

Psalm 24:15 Oculi mei semper ad Dominum, quoniam ipse evellet de laqueo pedes meos. My eyes are ever towards the Lord: for he shall pluck my feet out of the snare.

Sometimes we start prayers with this versicle and response: Domine, labia mea aperies. Et os meum annuntiavit laudem tuam. Lord, thou shalt open my lips. And my mouth shall declare thy praise.

Psalm 113:14 talks about false gods: Aures habent, et non audient; nares habent, et non odorabunt. Ears they have, and they do not hear. Noses they have, and they do not smell.

My Latin isn’t great but sounds like nares is somehow related to nasus – maybe nostrils?

So, there’s your lesson plan – a song with actions, plus digging around in prayer books and Scripture for examples. I’ll have to find a place to add it to kidschant.com.



NOTES FROM THIS ARTICLE:

1   Play School has another connection with church music. The theme song was written by Richard Connolly, who wrote many hymns, including Holy Father, God of Might.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

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