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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A little bit of fun

Veronica Brandt · May 23, 2015

EACHING LATIN TO CHILDREN is both exciting and daunting – maybe more daunting because I have not been taught Latin myself for more than a few lessons. It could be a recipe for disaster, but until a better option comes along, I’ll keep learning as much as I can and passing this on.

One morning I settled down with my children to tackle matching the Latin and English in Psalm 53 word for word. We got sidetracked and managed to cobble together a Latin version of Heads and shoulders, knees and toes.

Caput, scapulae, genua, pedes,
  genua, pedes, genua, pedes,
Caput, scapulae, genua, pedes,
  plaudite manibus.

Oculi, nasus, os et aures,
  os et aures, os et aures,
Oculi, nasus, os et aures,
  plaudite manibus.

And if that sounds odd to you, then you probably grew up with the There’s a Tavern in the Town version which seems more prevalent on youtube at least. Here is the tune I grew up with from Play School of the Australian Broadcasting Corporation. 1 I think it is a little easier than the tune for There’s a Tavern in the Town.

      * *   Download the music as a PDF ready to print and as a recording of my boys singing the song.

Note: this is not for liturgical use!

Though it is interesting to notice how often these words appear in liturgical texts.

At Sunday vespers we read: De torrente in via bibet; propterea exaltabit caput. (Psalms 109:7) He shall drink from the torrent in the way, therefore he shall lift up the head.

Scapula gives us the term scapular to describe a garment worn over the shoulders.

Genua gives us genuflect – literally to bend the knee.

Psalm 24:15 Oculi mei semper ad Dominum, quoniam ipse evellet de laqueo pedes meos. My eyes are ever towards the Lord: for he shall pluck my feet out of the snare.

Sometimes we start prayers with this versicle and response: Domine, labia mea aperies. Et os meum annuntiavit laudem tuam. Lord, thou shalt open my lips. And my mouth shall declare thy praise.

Psalm 113:14 talks about false gods: Aures habent, et non audient; nares habent, et non odorabunt. Ears they have, and they do not hear. Noses they have, and they do not smell.

My Latin isn’t great but sounds like nares is somehow related to nasus – maybe nostrils?

So, there’s your lesson plan – a song with actions, plus digging around in prayer books and Scripture for examples. I’ll have to find a place to add it to kidschant.com.



NOTES FROM THIS ARTICLE:

1   Play School has another connection with church music. The theme song was written by Richard Connolly, who wrote many hymns, including Holy Father, God of Might.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.