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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The difference between Anything and Everything.

Veronica Brandt · May 9, 2015

trolley of possibilities When anything is possible, then the temptation is to go for EVERYTHING!

This is one danger in home education. There is the temptation to think that the sky is the limit, then go off in a zillion different directions at once, then wonder why we never seem to get anything done. Taking on too much, many parents crash and burn. This is chaos.

The other danger is that of paralysis. There are so many choices available it can be hard to tell where to start. Some find the whole thing too daunting and stick with the same books they used as children or a particular package of lesson plans.

The same can be said of hymns replacing propers. Take this Thursday for instance. It is the feast of St Matthias, Apostle. It is also Ascension Thursday, although this has been transferred to the Sunday in my diocese. It is also the beginning of the nine days leading up to Pentecost which is credited as being the origin of all novenas. And it is the month of May, so we have to pick something for Mary.

We can look at the Readings and find Peter and the Apostles choosing Matthias by lot. The Gospel tells of Jesus giving the New Commandment of Love.

So, when it comes to choosing hymns, there are many different options open—more options than there is space to use them.

Have you seen all the hymnbooks Jeff uploaded the other day? There are thousands upon thousands of hymns out there! Even just one hymnbook usually contains a few hundred.

It’s worth noting that many Catholic hymns come from the Divine Office, especially Vespers. Looking at Vespers, each day has just one hymn. The main part of the Divine Office or Liturgy of the Hours is the Psalmody. The Psalms are your meat-and-potatoes. The hymn is your ice cream.

So, back to Mass. If we go with the Propers, then our choices would be far simpler. An Ordo can tell you which direction is the one to take. There is also still room for a hymn or two – before and/or after Mass and maybe even another if there’s time at Communion. The important things to sing are the Ordinaries which don’t change and the Propers which reflect the feast or season.

With the Propers you can see a path to take. Everyone can start on the same page. The element of personal preference takes a back seat and the Church’s treasury of sacred music comes forward.

In case you’re wondering about the photo, this is my 2 year old daughter. I planned to get a photo of her wanting everything and thought we could pile the trolley high with toys to illustrate the point. Instead she dismantled my efforts saying “One at a time”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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