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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The difference between Anything and Everything.

Veronica Brandt · May 9, 2015

trolley of possibilities When anything is possible, then the temptation is to go for EVERYTHING!

This is one danger in home education. There is the temptation to think that the sky is the limit, then go off in a zillion different directions at once, then wonder why we never seem to get anything done. Taking on too much, many parents crash and burn. This is chaos.

The other danger is that of paralysis. There are so many choices available it can be hard to tell where to start. Some find the whole thing too daunting and stick with the same books they used as children or a particular package of lesson plans.

The same can be said of hymns replacing propers. Take this Thursday for instance. It is the feast of St Matthias, Apostle. It is also Ascension Thursday, although this has been transferred to the Sunday in my diocese. It is also the beginning of the nine days leading up to Pentecost which is credited as being the origin of all novenas. And it is the month of May, so we have to pick something for Mary.

We can look at the Readings and find Peter and the Apostles choosing Matthias by lot. The Gospel tells of Jesus giving the New Commandment of Love.

So, when it comes to choosing hymns, there are many different options open—more options than there is space to use them.

Have you seen all the hymnbooks Jeff uploaded the other day? There are thousands upon thousands of hymns out there! Even just one hymnbook usually contains a few hundred.

It’s worth noting that many Catholic hymns come from the Divine Office, especially Vespers. Looking at Vespers, each day has just one hymn. The main part of the Divine Office or Liturgy of the Hours is the Psalmody. The Psalms are your meat-and-potatoes. The hymn is your ice cream.

So, back to Mass. If we go with the Propers, then our choices would be far simpler. An Ordo can tell you which direction is the one to take. There is also still room for a hymn or two – before and/or after Mass and maybe even another if there’s time at Communion. The important things to sing are the Ordinaries which don’t change and the Propers which reflect the feast or season.

With the Propers you can see a path to take. Everyone can start on the same page. The element of personal preference takes a back seat and the Church’s treasury of sacred music comes forward.

In case you’re wondering about the photo, this is my 2 year old daughter. I planned to get a photo of her wanting everything and thought we could pile the trolley high with toys to illustrate the point. Instead she dismantled my efforts saying “One at a time”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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