Views from the Choir Loft

First Look Images! • “Proper Of The Mass” By Fr. Samuel F. Weber

Jeff Ostrowski · April 9, 2015

ERE ARE SOME photos of Fr. Samuel F. Weber’s new book—The Proper of the Mass for Sundays and Solemnities: Chants for the Roman Missal in English—published by Ignatius Press. The book is much thinner than I had anticipated for being 1,292 pages; it’s approximately the size & weight of the Jogues Lectionary. (The super thin pages are not very opaque, I’m afraid.)

The following link has audio samples & purchase information:

* * “Proper of the Mass” • 1,292 pages

At the moment, I don’t want to say anything negative about such a marvelous production. However, I cannot help observing one thing. Since this collection is meant for singing, Fr. Weber probably should have used the “sung” Propers, which are found in the Graduale Romanum. Fr. Weber tended to favor the “spoken” version. On a practical level, this means that some of the Communion antiphons won’t match the Roman Gradual (revised in 1974). ¹

A large percentage of the “sung” and “spoken” propers are identical, and Fr. Weber often used melodies identical to corresponding antiphons in the Graduale. That’s why his occasional preference for the “spoken” version printed in the Missal is perplexing. ²

949 Ignatius Press Proper of the Mass in English

948 Ignatius Press Proper of the Mass in English

950 Ignatius Press Proper of the Mass in English

947 Ignatius Press Proper of the Mass in English

NOTES FROM THIS ARTICLE:

1 Tons of other collections could be used when the Communion antiphons don’t match: Motyka’s Communions, the SEP, the Lalemant, the official version from the Graduale, and many more.

2 Obviously, since the Roman Missal doesn’t print any Offertory verses, Fr. Weber drew these exclusively from the Graduale. My understanding is that many of the translations are his own.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Simplified” Keyboard Accompaniment (PDF)

I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.

—Jeff Ostrowski

‘Bogey’ of the Half-Educated: Paraphrase

Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”

—Jeff Ostrowski

Father Cuthbert Lattey • “The Hebrew MSS”

Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”

—Jeff Ostrowski

“Reminder” — Month of November (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski