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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Homely Slant on Bertalot’s Sight-Singing

Veronica Brandt · March 7, 2015

student teacher piano HEN I FIRST READ LUCAS Tappan’s article from a few weeks ago, What If You Never Again Had To “Teach” Your Choir Notes? my first reaction was to wish that I had a “proper” choir.

Curiosity got the better of me and I looked around John Bertalot’s website and even ended up buying a copy of the book Five Wheels to Successful Sight-Singing. I am very glad I did.

The book is aimed at conducting a children’s choir, but many of the lessons are very useful for parents too. Having only a small number of students is actually an advantage for teaching sight-singing.

Sight-singing has been something of an unattainable ideal in my head for as long as I can remember. I’ve always needed some instrument to turn sheet music into something audible. It turns out that I had all the first steps in place to learn sight-singing all along. It was like seeing that I have been riding with training wheels all this time.

Bertalot’s book is pretty short. It is unlike any other book I have read on music. Instead of diagrams and explanations it is written as a lively dialogue between a student and a master choir director. This is really helpful as one of the main lessons is learning how to talk with students so that they listen and learn – a very handy skill in all areas.

It is also heartening to hear that learning to read music, just like learning to read words, does not require specially formulated textbooks. Bertalot uses a blackboard and a regular hymnbook.

I look forward to reading more from Lucas Tappan as he sheds more light on how to apply these lessons.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The director should not allow any one to pre-intone who is not able to do it, lest ridiculous mistakes should occur; he should suppress all singing out of tune, all shouting, and all arbitrary harmonising by the singers, and should see that in responding to the celebrant, the choir invariably take up the tone corresponding to his.”

— Manual of Roman Chant (1860) by a Priest of the Congregation of the Most Holy Redeemer

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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