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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Adoremus & the Way Forward

Fr. David Friel · March 22, 2015

AST MONTH’S edition of The Adoremus Bulletin (February 2015, Vol. XX, No. 5) is noteworthy for several reasons. First and foremost, it is characteristically rich in content.

Included in this issue is an excellent ink drawing of the Last Judgment by Daniel Mitsui, whose drawings frequently appear in the Catholic literary journal Dappled Things. There is also a fine article by Susan Benofy offering an introduction to the many resources now available for singing the Propers of the Mass. Several CCW resources are included in her presentation.

February’s Bulletin further includes a thought-provoking piece entitled, Reflections on the Youth Mass and photos of Duncan Stroik’s latest project, St. Paul the Apostle Church in Spartenburg, South Carolina.

N ADDITION to all this quality content, the February edition contains a letter from Fr. Reverend Jerry J. Pokorsky, one of the members of the executive committee governing Adoremus. The letter details some of the struggles the board has encountered since the unexpected death of Helen Hull Hitchcock, the remarkable woman whose vision, humility, and tenacity accomplished so much good for Holy Mother Church. I would encourage you to read the short letter in full, but here are some of its highlights:

Dear Friends and Benefactors of Adoremus:

It is with sorrow that I report that we have decided it would be best for Adoremus to take a hiatus in the months ahead as we continue to work to sustain this important apostolate promoting the liturgical vision of Pope Benedict XVI. This means that this issue of the Adoremus Bulletin will be the last for the foreseeable future—with reasonable hopes for a comeback sometime down the road.

After the death of our editor, Helen Hull Hitchcock, we were hoping we would be able to continue our work with a few administrative tweaks. But after a thorough review of our finances it is clear that we simply cannot sustain continuing costs. It has become evident that we need to move sooner rather than later. We will need our small nest egg of savings to keep Adoremus on life support in the months ahead. . . .

In the meantime, we will do our best to maintain the Adoremus website until a new editor with the same vision and vigor (well, at least some of the same vigor that Helen had) takes the reins. Of course, we have always operated on a shoestring budget so we can promise the new editor — when he or she is found—a great job with low pay and few fringe benefits.

The good news is that we are hoping the months ahead represent merely a transitional period. . . . If you have made contributions in the recent past know that your donations did not—and will not—go to waste. We did our best and we think this is the best interim solution. We consider this a “controlled crash,” so that after repairs and with God’s grace this important apostolate may one day take flight again. Thank you for your generous support over your years as members of the Adoremus family. We continue to hope for a trickle of donations to help us work through this difficult period. . . .

May God reward your generosity and kindness.

DOREMUS has been a positive force in the Church since 1995, when it was founded for the purpose of promoting authentic reform in the Roman Rite. Now the organization needs our help to continue its important work.

Jeff Ostrowski paid tribute to Helen upon her death in October, noting that Adoremus was the single most important organization dedicated to the sacred liturgy for nearly two decades. May the Lord continue the good work He has begun in and through Adoremus!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Helen Hull Hitchcock Adoremus, Joseph Cardinal Ratzinger Liturgy, Reform of the Reform Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

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