Views from the Choir Loft

PDF Download: “67 Hymns” Arranged & Translated by Rev. Adrian Fortescue (1913)

Jeff Ostrowski · March 2, 2015

T WOULD BE extremely difficult to find a more powerful book than the one below. Numbering 167 pages, it was titled by Fr. Adrian Fortescue as: “Latin Hymns sung at the Church of Saint Hugh in Letchworth.”

* * HYMNS • Arranged/Translated by Fortescue (1913)

Fortescue’s book was produced with great care. I have some experience here, since I was a consultant for the Jogues Illuminated Missal. (You can view samples of our typesetting by going here and scrolling to the bottom.) Moreover, Fortescue adds fantastic notes about the writers; notes which are extremely succinct yet valuable. And the translations by Fortescue are truly splendid. I cannot help but think of this hymn collection as his life’s great masterpiece.

Compline is included. These sixty-seven hymns represent the basis of Catholic hymnody. Among them: O Lux Beata Trinitas (St. Ambrose); Luminis Fons (Alcuin of York); Te Decet Laus (Apostolic Constitutions); Corde Natus Ex Parentis (Prudentius); Alma Redemptoris Mater (Herimann the Lame); Vexilla Regis (Venantius Fortunatus); and so many more.

An excerpt from the Introduction by Fortescue:

E HAVE ALSO a number of beautiful hymns about the Blessed Sacrament, our Lady, the Church, and so on. But if people do not understand what is sung, to them all this is lost. To find each hymn and antiphon you would need quite a large collection of books. So I have gathered together all the hymns and chants which we usually sing, with a double purpose. First, that anyone who knows the tune may join the singers; secondly, that those who do not sing may be able to follow, to know what is being sung. Every text has an English translation on the opposite page. If anyone does not understand Latin, he can use the translation as his own prayer and so join in intention with those who sing.

Here’s a photograph of Fr. Adrian Fortescue circa 1922.

Title of of Book: Father Adrian Fortescue’s 1913 “Hymnal for Saint Hugh”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Cheap! Cheap! Cheap!

It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…

—Jeff Ostrowski

PDF Download • Dom Murray Harmonies

Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”

—Jeff Ostrowski

“Music List” • 14 September (Holy Cross)

Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Karl Keating • “Canonization Questions”

We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.

—Corpus Christi Watershed

Vatican II Changed Wedding Propers?

It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.

—Corpus Christi Watershed

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed