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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Flawed Translation Of Ritus Servandus?

Jeff Ostrowski · March 2, 2015

204 ad orientem ECENTLY, I posted an article containing screen shots of the 1572 Missale Romanum. Included were excerpts from an English translation of the Ritus Servandus sent to me by an FSSP priest.

Those who carefully examine the first section will see that the words “ad orientem” are not translated into English. They have vanished! Moreover, many of the commonly available translations—such as this one—omit the words ad orientem (“to the East”) in the English version. If you scroll to the bottom, you’ll notice the Saint John Cantius Website also eliminates those words. Why?

I don’t know why ad orientem was ignored in those English translations. 1

Perhaps Monsignor Schuler’s 1984 article—which we cited in early 2013—should be amended. Schuler wrote:

NOTHER FABLE INTRODUCED by the promoters of a new rite was the error that the new Mass had to be celebrated versus populum at a table altar erected near the congregation. Old altars were removed, even against the wishes of the people; new table altars were set up, some very poorly designed and even unworthy of the Mass celebrated on them. To promote the use of the altar versus populum, the English translation of the new missal of Paul VI even mistranslates the Latin original—or leaves out entirely the rubrics of the Missale Romanum—which in at least five places indicates that the priest should turn toward the people to say “The Lord be with you,” “Pray brethern,” “This is the Lamb of God,” etc. The Latin has sacerdos ad populum conversus dicit, but the English takes no notice of conversus which clearly means “having turned toward the people.” The norm for the new missal of Pope Paul VI is the priest at an altar which is not versus populum. Furthermore, the altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.

Perhaps Msgr. Schuler should have said: “The Mass could always be celebrated with the priest facing the people, if the Altar faced East…”

Somewhere, Msgr. Schuler talks about how he was one of the first priests in America to say Mass facing the people because he was serving at a Church whose (pre-conciliar) architecture demanded it. Looking through the various articles we’ve posted on the subject of ad orientem, I was unable to find that reference. He said something to the effect of, “It was supposed to be a cutting edge practice that would make such a difference to the people … but after a few months, the novelty of versus populum wore off.”

A VARIETY OF GUESSES can be found regarding the history of “Mass facing the people.” Some suggest that, on those rare occasions when Mass was celebrated versus populum, the entire congregation faced East during the Canon. That theory may be true, and is held by today’s serious scholars. Mentioning the 1572 rubric doesn’t change this. 2

One thing, however, is clear: the overwhelming evidence we possess has the entire congregation facing the same direction. That is to say, 99% of the evidence we possess shows the priest “with his back to the people.”

When all is said and done, it doesn’t matter which “side” you are on in a setting like this:

200 Raphael “The Mass at Bolsena”


The Mass is the Mass. Let me say it again: The Mass is the Mass.

However, celebration facing the people can distract the priest, who finds himself wanting to “entertain” the congregation. The following image—often cited as an instance of versus populum—shows the priest looking at a “wall.” That’s probably a good way to eliminate any element of entertainment, eh?

201 Versus Populum Mass



NOTES FROM THIS ARTICLE:

1   People tend to mimic whatever the FSSP does, and Fr. Dennis Duvelius seems to have made an English translation “cut and pasted” by others. As far as I know, Fr. Duvelius is still an FSSP priest. It would seem he simply overlooked the words ad orientem.

2   Whenever I mention this historical fact, I receive condemnatory emails. I am told to “keep quiet,” as if mentioning its existence will somehow promote ad populum celebrations. My answer is always the same: acknowledging the existence of something (when that existence is beyond dispute) is not wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Versus Populum Altars Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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