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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Flawed Translation Of Ritus Servandus?

Jeff Ostrowski · March 2, 2015

204 ad orientem ECENTLY, I posted an article containing screen shots of the 1572 Missale Romanum. Included were excerpts from an English translation of the Ritus Servandus sent to me by an FSSP priest.

Those who carefully examine the first section will see that the words “ad orientem” are not translated into English. They have vanished! Moreover, many of the commonly available translations—such as this one—omit the words ad orientem (“to the East”) in the English version. If you scroll to the bottom, you’ll notice the Saint John Cantius Website also eliminates those words. Why?

I don’t know why ad orientem was ignored in those English translations. 1

Perhaps Monsignor Schuler’s 1984 article—which we cited in early 2013—should be amended. Schuler wrote:

NOTHER FABLE INTRODUCED by the promoters of a new rite was the error that the new Mass had to be celebrated versus populum at a table altar erected near the congregation. Old altars were removed, even against the wishes of the people; new table altars were set up, some very poorly designed and even unworthy of the Mass celebrated on them. To promote the use of the altar versus populum, the English translation of the new missal of Paul VI even mistranslates the Latin original—or leaves out entirely the rubrics of the Missale Romanum—which in at least five places indicates that the priest should turn toward the people to say “The Lord be with you,” “Pray brethern,” “This is the Lamb of God,” etc. The Latin has sacerdos ad populum conversus dicit, but the English takes no notice of conversus which clearly means “having turned toward the people.” The norm for the new missal of Pope Paul VI is the priest at an altar which is not versus populum. Furthermore, the altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.

Perhaps Msgr. Schuler should have said: “The Mass could always be celebrated with the priest facing the people, if the Altar faced East…”

Somewhere, Msgr. Schuler talks about how he was one of the first priests in America to say Mass facing the people because he was serving at a Church whose (pre-conciliar) architecture demanded it. Looking through the various articles we’ve posted on the subject of ad orientem, I was unable to find that reference. He said something to the effect of, “It was supposed to be a cutting edge practice that would make such a difference to the people … but after a few months, the novelty of versus populum wore off.”

A VARIETY OF GUESSES can be found regarding the history of “Mass facing the people.” Some suggest that, on those rare occasions when Mass was celebrated versus populum, the entire congregation faced East during the Canon. That theory may be true, and is held by today’s serious scholars. Mentioning the 1572 rubric doesn’t change this. 2

One thing, however, is clear: the overwhelming evidence we possess has the entire congregation facing the same direction. That is to say, 99% of the evidence we possess shows the priest “with his back to the people.”

When all is said and done, it doesn’t matter which “side” you are on in a setting like this:

200 Raphael “The Mass at Bolsena”


The Mass is the Mass. Let me say it again: The Mass is the Mass.

However, celebration facing the people can distract the priest, who finds himself wanting to “entertain” the congregation. The following image—often cited as an instance of versus populum—shows the priest looking at a “wall.” That’s probably a good way to eliminate any element of entertainment, eh?

201 Versus Populum Mass



NOTES FROM THIS ARTICLE:

1   People tend to mimic whatever the FSSP does, and Fr. Dennis Duvelius seems to have made an English translation “cut and pasted” by others. As far as I know, Fr. Duvelius is still an FSSP priest. It would seem he simply overlooked the words ad orientem.

2   Whenever I mention this historical fact, I receive condemnatory emails. I am told to “keep quiet,” as if mentioning its existence will somehow promote ad populum celebrations. My answer is always the same: acknowledging the existence of something (when that existence is beyond dispute) is not wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Versus Populum Altars Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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