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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

How To Properly Train Young Voices To Sing At Mass

Dr. Lucas Tappan · February 2, 2015

5382 Choir Boys Singing STILL REMEMBER THE DAY I walked into Our Lady Queen of Peace Catholic School on the first day of my sixth grade year. Our family had recently relocated from southern Oklahoma to Illinois. I had never attended a Catholic school before then, and while my family took the Faith very seriously, attending Mass during the week was a new experience for me.

Within the first month of school, our pastor, Fr. James Flach, called all of the 4th, 5th, 6th, 7th and 8th graders together and made it known that the parish was in need of new organists and that he would personally pay for organ lessons for any student who wished to play—in the hopes that one would become an organist.  Well… I am that one.

I played the organ during Mass for the first time on the Feast of the Guardian Angels and have been at it ever since. Today I am the one teaching children and hoping that at least of few will follow in the footsteps of a sacred musician. 1

394 Training Youth Singers SOMETIMES I FEEL we forget about the formation of our children in the grand tradition of sacred music. At the same time, I wonder if some of our many wonderful musicians aren’t a little afraid to stand in front of a room full of children for the first time and raise the baton. I can’t claim to be Olivier Latry at the organ or Sir Richard Terry leading a smart group of choristers through Byrd’s Mass for Five Voices, but there are few people who love working and training choristers more than I do. I am honored to begin blogging at Views from the Choir Loft and desire to pass on the little I have learned to those toiling away in their work with young children.

I will be contributing each week on the subject of “HOW TO PROPERLY TRAIN YOUNG VOICES TO SING AT MASS.”


To learn about Dr. Lucas Tappan, our newest contributor, visit his biography page.




NOTES FROM THIS ARTICLE:

1   That sounds a little grand. Perhaps it would be better to say a musician in the field of sacred music!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

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