• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Praise of God Demands Song

Fr. David Friel · January 18, 2015

HE EIGHT-YEAR pontificate of Pope Benedict XVI was an extraordinary period. In those years, the faithful of the Church were blessed by Papa Ratzinger’s gentle humility, his prayerful spirituality, and his exquisite clarity of thought. Needless to say, the Pope Emeritus remains worthy of emulation for many of his personal attributes. Not the least of his traits deserving our imitation is his ars celebrandi, at once totally faithful to the rule of the Church and steeped in reverent beauty.

So many of the Holy Fathers of the past century have distinguished themselves in one way or another. John Paul II was energetic and athletic; John XXIII combined simple piety with a down-home touch; Leo XIII gave societal standing to the working class; Francis has a contagious love for the poor. In the case of Benedict XVI, not only is he a world-class theologian, but he is also a musician of uncommon ability and discerning taste.

For this reason, Pope Benedict’s teachings and commentary on sacred music require special attention. Although he sadly never delivered an official document of papal teaching on the subject, there were numerous occasions on which he did offer reflections on the role of music in liturgy. These we may add to his corpus of similar writings from before his election to the See of Rome.

My favorite words from Benedict on the topic of sacred music actually come not from any prepared text. They were, instead, a set of unprepared remarks made following a concert given by the Cappella Musicale Pontificia on December 20, 2005. I present these impromptu remarks in full below:

Dear Maestro, Mons. Liberto,
Dear Choir Boys of the Sistine Chapel,
Dear Singers, Teachers and Collaborators,

I did not have time to prepare a talk, although my idea was quite simple: to say, in these days before Christmas, that they are days of thanksgiving for gifts; to say, in these days, a “thank you” to you for all that you give us the whole year round, for this great contribution to the glory of God and to the joy of the people on earth.

On the night when the Saviour was born, the Angels proclaimed Christ’s birth to the shepherds with these words: “Gloria in excelsis Deo et in terra pax hominibus.” Tradition has always claimed that the Angels did not simply speak like people, but sang, and that their song was of such heavenly beauty that it revealed the beauty of Heaven.

Tradition also claims that choirs of treble voices can enable us to hear an echo of the angels’ singing. And it is true that, in the singing of the Sistine Chapel Choir at the important liturgies, we can sense the presence of the heavenly liturgy, we can feel a little of the beauty through which the Lord wants to communicate his joy to us.

In fact, praise of God demands song. Therefore, throughout the Old Testament—with Moses and with David—until the New Testament—in the Book of Revelation—we hear once again the hymns of the heavenly liturgy that offer a lesson for our liturgy in God’s Church.

Consequently, your contribution is essential to the liturgy: it is not a marginal embellishment, for the liturgy as such demands this beauty, it needs song to praise God and to give joy to those taking part.

I wish to thank you with all my heart for this major contribution. The Pope’s liturgy, the liturgy in St. Peter’s, must be an example of liturgy for the world. You know that today, with television and radio, a vast number of people in every part of the world follow this liturgy. From here, they learn or do not learn what the liturgy is, how the liturgy should be celebrated. Thus, it is very important not only that our masters of ceremony teach the Pope how best to celebrate the liturgy, but also that the Sistine Choir be an example of how to convey beauty in song, in praise of God.

I know—since my brother has, as it were, enabled me to have a first-hand experience of a choir of treble voices—that this beauty demands a huge commitment and many sacrifices on your part.
You have to rise early, boys, in order to get to school; I know Rome’s traffic, and I can therefore guess how difficult it often is for you to arrive on time. Then, you have to practice to the very end in order to achieve this perfection with the competence that we have just heard once again.

I thank you for all this, also because at these celebrations, while your companions go on long outings, you have to stay in the Basilica to sing and sometimes even have to wait for an hour before being able to sing; and yet you are always ready to make your contribution.

I feel this gratitude every time, and on this occasion I wanted to tell you of it. Christmas is the feast of gifts. God, Himself, gave us the greatest gift. He gave us Himself. He took flesh, He made Himself a child. God gave us the true gift and thus also invites us to give, to give with our hearts; to give a little of ourselves to God and to our neighbour. He also asks us to offer signs of our kindness, of our willingness to offer joy to others.

So I, too, therefore, have attempted to make my gratitude visible through presents that will now be given out to you as an expression of my gratitude, which is too strong for words.

These words may be nearly a decade old, yet they remain refreshing today.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy, Catholic Youth Choirs, Joseph Cardinal Ratzinger Liturgy, Pope Benedict XVI Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.