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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reviving a Music Program & Ryan Lynch on “Sounds from the Spires”

Richard J. Clark · January 16, 2015

UMPSTARTING A NEW CHOIR is always a challenge. Very often, a new director walks into a situation where there is a small program in need of bolstering. This may also involve igniting new programs. Doing so in a parish setting – “in the trenches” – is also very challenging. But it’s a challenge everywhere!

A glimpse into such a parish is St. Raphael’s Parish in Medford, Massachusetts where Ryan Lynch took over as Director of Music and Organist a little more than a year ago. Having no adult choir whatsoever, he also revitalized a small youth choir which now includes thirty-five children. Like many music directors, he is now teaching in the parish school, working with children from kindergarten through fifth grade. (Ryan Lynch is also very frequently heard for the Archdiocese of Boston’s televised masses on Boston Channel 7, WHDH.)

T TWENTY-EIGHT YEARS OLD, Mr. Lynch is certainly part of a new generation of musicians advocating for chant and traditional music of the Church. In doing so, the choirs at St. Raphael’s Parish have grown solidly with very capable and young volunteers.

When starting a new choir from scratch, Mr. Lynch has been wise in selecting repertoire that is simple, but substantial. He has relied a great deal on Richard Rice’s Simple Choral Gradual, the Chabanel Psalms, and Andrew Motyka’s Laudate Dominum Communion Antiphons. He is also slowly introducing the simple, yet essential Gregorian Chants of the Church. An indispensable resource for this is Richard Rice’s Parish Book of Chant.

Conventional wisdom assumes that popular styles of music will attract larger congregations and choirs. However, one cannot argue with the results at St. Raphael’s Parish, especially given greatly improved congregational singing, a revived adult choir, and the large numbers in his youth choir. While exceedingly versatile in handling different musical styles, his approach in laying a foundation of traditional sacred music of the Church has yielded much fruit in a short time. (Interestingly, this is often achieved with contemporary chant and choral based compositions.) This path takes courage and support from the pastor. Fr. Kevin Toomey, clearly has his trust in Ryan’s approach.

One final ingredient to infusing life into new programs one that Ryan has in abundance: interpersonal skills. Despite his youth, he demands respect by giving it. His singers of all ages love singing with him. In short, he is another parish musician who views his life’s work as service to the Church. Good-hearted and talented people respond quite positively to this philosophy. They want to take part in this service to God and others.

ECENTLY, RYAN LYNCH had a guest appearance on “Sounds from the Spires” on on SIRIUS XM 129 Radio, The Catholic Channel. The show is hosted by Dr. Jennifer Pascual, Director of Music at Saint Patrick’s Cathedral in New York City. This interview gives a bit of a glimpse for non-musicians of the daily life and challenges of a parish church musician. This was especially fitting after a busy Christmas Season!

• PODCAST • Here are some excerpts from “Sounds form the Spires” broadcast on 1.10.2015:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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