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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2014

Jeff Ostrowski · December 31, 2014

PDF Download: “Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States” (1910)

I bet you don’t own this important historical hymn book!

Jeff Ostrowski · December 30, 2014

“A Pathetic, Unenforceable Patchwork Of Rhetoric” & The Latin Mass

“Many of those who have influenced the reform have no love, and no veneration of that which has been handed down to us.” —Secretary of the Consilium

Jeff Ostrowski · December 29, 2014

UPDATE * Latin Mass Will Remain In Hollywood

The Ancient Form of Mass will be offered indefinitely at St. Victor Church every Sunday at 7:00pm.

Aurelio Porfiri · December 29, 2014

Video: “Make Me To Know Your Ways, O Lord”

A hauntingly beautiful composition by Aurelio Porfiri. How wonderful to hear God’s praises resound in Macau, China!

Jeff Ostrowski · December 29, 2014

Fr. Jay Finelli Weighs In On The Jogues Missal

“This section immediately brought to mind my mother’s old hand missal.” —Fr. Jay Finelli

Jeff Ostrowski · December 28, 2014

Musical Resources • Sunday Within The Octave Of Christmas

We will NOT be singing “Rudolf The Red-Nosed Reindeer” for Communion!

Guest Author · December 27, 2014

A Close Friend & Advisor To Hans Küng Reacts To Our Recent Posting Of A Breviary From 1967

“I regretted the loss of the beautiful Latin cadences and sonorous chant but appreciated the understanding brought by the English translation…” —Thomas Riplinger

Veronica Brandt · December 27, 2014

A New Resolution – to read the Bible in a year

About five different plans for studying the Bible from a Catholic perspective.

Veronica Moreno · December 26, 2014

[español] ‘Twas in the Moon of Wintertime

ÉRASE UNA LUNA DE INVIERNO (2014). El Padre Friel comparte un villancico compuesto por San Juan de Brébeuf, patrono de CCWatershed. En el himno, el padre de Brébeuf utiliza conceptos tradicionales de la religión Huron para transmitir la historia del Nacimiento de Cristo. Esta es “inculturación” en su sentido más verdadero y más saludable.

Richard J. Clark · December 26, 2014

Scripture, Sacred Music, and the Actions of Our Lives

Let’s not minimize the role of the psalms in the mass to the Responsorial! Plus a FREE download of the Epiphany Communion antiphon.

Fr. David Friel · December 26, 2014

‘Twas in the Moon of Wintertime

The Huron Carol of St. Jean de Brébeuf

Cynthia Ostrowski · December 25, 2014

Catholic Line Art, Black and White • Installment #63

Today’s installment is from the first Mass of Christmas.

Jeff Ostrowski · December 24, 2014

“Don’t Cross Out Christ On Christmas” — Wrong!

This myth shows great ignorance of ancient (Roman Catholic) manuscripts!

Jeff Ostrowski · December 24, 2014

Musical Resources • Christmas Midnight Mass

We will NOT be singing “Frosty The Snowman” for Offertory!

Andrew R. Motyka · December 24, 2014

Only the Dawn

Beginning with Christmas, we celebrate a new era…

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The modern human being, wearied by the noisy and hectic life, through an attentive listening can find in church a restful peace which is the springboard for true prayer.”

— Dr. Joseph Lennards (1966)

Recent Posts

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  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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