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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Preparing for an EF Sung Mass

Veronica Brandt · November 8, 2014

My desk N THE ONE HAND, preparing for a Missa Cantata according to the 1962 Missal is easy, because you can follow the rules. On the other hand, it can be daunting because you have to follow the rules.

Does that sound strange?

Don’t worry, here is your step by step guide to finding music for a simple Sung Mass according to the Extraordinary Form of the Roman Rite.

I make up folders with music in the order in which we will sing it. This can be tedious to prepare, but saves a lot of hassle in rehearsal and during Mass. Sometimes I also prepare CDs for singers without internet access. Today I found this handy page for making CD pockets with track listings.

Prayer before choir practice: from my own choir page repleatur.net. Not strictly necessary, but a nice way to start. This isn’t just any old rehearsal, this is Prayer.

Asperges or Vidi aquam for the Rite of Sprinkling: I prefer the version from the Institute of Christ the King Sovereign Priest as it includes the prayers following the chant: find them here.

Introit: either the proper music from Rene Goupil propers here on ccwatershed or use the The Propers Tool to set the text to psalm tones.

Kyrie: This is from the Kyriale. Antoine Daniel Kyriale is a good source. There are 18 Gregorian chant settings, plus extra ad libitum versions, with links to certain feasts and seasons, but you are not strictly bound to adhere to those recommendations.

Gloria: Also from the Kyriale (see above)

Gradual and Alleluia: I find these the trickiest and tend to go for the psalm tones here. They come under the Propers, see Introit.

Credo: This is from the Kyriale, but is not part of the 18 Gregorian Mass settings. There are 6 Credo settings, usually listed after the 18 Masses. Credo 3 is good with Mass 8. Credo 1 is the default setting.

Offertory: This comes from the Propers, see Introit.

(you might like to fit a hymn or motet in here, depending on time)

Sanctus: This comes from the Kyriale.

Agnus Dei: Another one from the Kyriale.

Communion: Another one from the Propers, see Introit.

(another chance for an extra hymn or motet)

Ite Missa Est: The Institute of Christ the King includes this in their Mass settings. Some Kyriales leave them out as they are quite short and usually much the same as the tune for the Kyrie, but good to have a copy on hand to cover all bases. The priest may expect you to give the first few notes. It is very good to check exactly who will be doing what before Mass.

Then there is often a Recessional Hymn.

A great resource is Psallite Sapienter: A Musician’s Guide to the 1962 Missal, available to download from Musica Sacra Book PDFs or in print. There is some variation in applying these guidelines, this book tends to take the safer road wherever there is any possibility of other interpretations.

For a handy source of extra music you might like to browse A New Book of Old Hymns, especially set up for singers who like to see an English translation. It includes music for all seasons, focussing on Gregorian hymns.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 19, 2023

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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