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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Years Later

Fr. David Friel · November 30, 2014

HE SEASON OF ADVENT arrives today, bringing with it a whole new “Year of Grace.” Perhaps we should use this phrase, “Year of Grace,” more frequently, as I think it is fuller & richer than simply speaking about the start of a new “liturgical year.” It’s not that there is anything wrong with the idea of the liturgical year and its various cycles; it’s just that “Year of Grace” sounds so less calendar-based.

At any rate, today we call to mind the words of Isaiah, the great Advent prophet: “Oh, that You would rend the heavens and come down!” This is a sentiment that so many people in history have shared: the people of Israel, your ancestors, my ancestors, probably even the cavemen. They have all cried out to God, saying, “Oh, Lord, if you would just come down here!” It’s a human desire that is universal to every time & place: the desire to have God come down and be close to us.

The extraordinary thing for us, as Christians, is that God has done just that. He has “come down” here to Earth. That is the unbelievable reality we will celebrate on Christmas—what we might call Christ’s coming in history. But, it is important to remember that God’s coming down to Earth was not a once-and-done deal. The Lord comes to us in prayer, in the Sacraments, in the ordinary affairs of our daily lives, does He not? That is what we might call Christ’s coming in mystery. And, we believe, the Lord will come back to Earth at the end of time to judge the living and the dead. That is what we might call Christ’s coming in majesty. So, the fact that we weren’t alive at the time Jesus walked the Earth does not put us at a disadvantage. Christ came once in history, but He comes to us in mystery all the time, and He promises us that He is coming again in majesty.

It was three years ago today that the Roman Church in the Anglophone world began using the Roman Missal, Third Edition. To commemorate this occasion, I would like to reflect on how the three comings of Christ parallel three blessings I have experienced in the new Roman Missal.

IRST, this new translation has put us in touch with our history. There is no question that the words we now pray are more faithful to the Latin original than the texts of previous editions. Why is this important? Because these words & sentiments & images have been prayed by generations & generations of Catholics. These new prayers connect us with our great-great-great-great-great-great-grandparents in a new and deeper way. They also connect us with all our brothers & sisters throughout the world who pray the same words & sentiments & images—just in other languages.

ECOND, this new translation has put us in touch with mystery. Some of the new words and phrases might not have been immediately understood by all Catholics worshippers at first glance. But that is not a bad thing. If anything in the Mass causes us to ask a question or wonder about what we mean—can that possibly be a bad thing? It is not necessary, for example, to understand at the outset and in completeness every Scriptural allusion made by the ordinary & proper prayers. There is a role for personal & group study, so that these texts can be understood more deeply. Everything that may have seemed at first mysterious has really been nothing more than an invitation—an invitation to greater, deeper understanding.

HIRD this new translation has certainly put us in touch with God’s majesty. We have all heard in the proclamation of these texts how sacred the new language is. And that, too, is good. The language we use at Mass should not be ordinary or everyday, pedestrian or colloquial. Our private prayer can be in informal, everyday language. But, when we gather as a community to celebrate the sacred liturgy, our language, too, should be sacred. The language of this Missal is beautiful, and the world is in dire need of true beauty. The beauty of these new prayers is a definite reminder to us of God’s majesty.

I have made no secret of my support for this Missal. In an article for Homiletic & Pastoral Review (Roman Missal 3.0: Updates Installed) and in numerous blog posts (for example, HERE, HERE, & HERE), I have praised, defended, & explored this new Missal. It is not, of course, above critique; there are changes I would make. On the whole, however, it is such a vast improvement over the previous Sacramentary that my overwhelming response is one of gratitude.

I am grateful to those who labored to bring us this Missal, and I am grateful to the Holy Spirit, Who guided their work. May Christ continue to come to us through these sacred words!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Beauty, Bishop Arthur J Serratelli Vox Clara, ICEL New Translation of the Roman Missal, Reform of the Reform, Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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