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Views from the Choir Loft

Looking East for Advent

Fr. David Friel · November 23, 2014

HICH WAY should the priest face during Holy Mass? The long tradition of the Church has been that we—priest and people together—face eastward during the celebration of the liturgy. Many people erroneously think that this practice was changed by the Second Vatican Council; in reality, not a word of Sacrosanctum Concilium addresses the issue. As such, celebration ad orientem is still perfectly legitimate and is, in fact, the presumption of the GIRM.

Bishop Conley of the Diocese of Lincoln, NE has drawn recent attention for directing that all Masses celebrated during Advent at his Cathedral of the Risen Christ be celebrated with the priest facing east. I have heard from a few other priests in the diocese who intend to follow their bishop’s example in their own parishes. I encourage you to read his brief pastoral column for yourself so that you can see the very pastoral language he uses to introduce this initiative.

This will, without a doubt, upset some people. But would those same people be equally upset to see photos of Pope Francis celebrating Mass ad orientem (see HERE and HERE)? We need to get beyond the stage where this manner of celebration is (or is at least perceived to be) the odd penchant of a few agenda-driven clergy. As anyone who is a student of the liturgy or of church history will know, there is nothing “new” about celebrating Mass facing east.

For more background information on celebrating Mass ad orientem, check out the various posts on the topic available HERE. Having celebrated Mass with both postures, I can attest that there is tremendous beauty to be discovered in the act of priest & people together turning toward the Lord. The logic, normality, & naturality of ad orientem worship makes me question if the true “agenda” lies not so much with those in favor of facing east as it does with those who insist that “the spirit of Vatican II” must not be undone.

Time has marched along since the tumultuous days of the post-conciliar period. Since that era, the Church has witnessed the rise of multiple generations who have none of the hang-ups about Latin & ad orientem & chant that so defined their parents’ or grandparents’ upbringing. Is it possible to hope that a new day might be dawning?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Bishop James Douglas Conley, Mass Facing The People Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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