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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wakes in Church & Funerals at the Parlor

Fr. David Friel · November 2, 2014

N MANY QUARTERS, those involved in parish life and pastoral care have been experiencing a definite trend. I won’t call the trend “alarming,” but “unfortunate” and “ill-conceived” would be good descriptors. The trend concerns the location of funerals.

In the “old days,” when a member of a Catholic family died, a wake might have been held in the family home—a sort of open house. The purpose of this event was to gather as a family to mourn, tell stories, and say a few prayers together to aid in the process of corporate grief. Eventually, the age of funeral parlors arose, and these homes then became the place for wakes. A day or more after the wake, there would be a funeral Mass in the local parish church. The purpose of this event was to pray for the happy repose of the deceased, to apply the merits of Christ’s Passion to the soul of the deceased, and to pray for healing & peace among the surviving family, friends, & neighbors.

Nowadays, priests & deacons & members of bereavement committees are faced with an entirely different situation. In fact, the situation is often the reverse of what makes sense.

More and more, families are requesting that funeral prayers be offered at the funeral parlor; meanwhile, other families desire to hold the wake in church. Judging from this state of affairs, we seem to have forgotten the purpose of church buildings and funeral parlors. The trouble with funerals at funeral parlors is that they omit the Mass; the trouble with wakes in church is that they reduce a sacred space to a gathering space, often leading to noise & activity unbecoming of the Lord’s house. These mismatched locations are neither appropriate nor conducive. (I have heard of some priests trying to reclaim the sacredness of the church space by offering confessions when they have a wake in church; this strikes me as an interesting idea, though not a thorough solution.)

The structure of the Order of Christian Funerals ritual book can teach us a few lessons. For example, the first part of the funeral liturgy is the Vigil (the prayers to be prayed during the wake), which is followed by the “Transfer of the Body to the Church.” That there should be a transfer to the church is a clear sign that the ritual does not envision a viewing in the church building.

In the Order of Christian Funerals, one also finds an option provided for what is called a “Funeral Liturgy outside Mass.” This form of the funeral service is clearly not preferable, inasmuch as it omits the sacrifice of Holy Mass, which is the most essential element of the “fraternal offices of burial.” The introduction to this section of the ritual book (#178) suggests very limited occasions for its use:

1. When the funeral Mass is not permitted, namely, on solemnities of obligation, on Holy Thursday and the Easter Triduum, and on the Sundays of Advent, Lent, and the Easter Season;
2. When in some places or circumstances it is not possible to celebrate the funeral Mass before the committal, for example, if a priest is not available;
3. When for pastoral reasons the pastor and the family judge that the funeral liturgy outside Mass is a more suitable form of celebration.

Even narrower is the language of the following paragraph (#179), which states: “The funeral liturgy outside Mass is ordinarily celebrated in the parish church, but may also be celebrated in the home of the deceased, a funeral home, parlor, chapel of rest, or cemetery chapel.” I have never seen the funeral liturgy outside Mass celebrated in a church, and I would guess that this seldom actually occurs. Without a doubt, this rubric clearly underscores the fundamental significance of the location of the funeral rites.

The reasons I commonly hear families give for requesting a priest to offer the service at the funeral home are very different. Among them are these:

1. The deceased never went to church anyway.
2. Using the church costs too much.
3. It would be easier for [name-an-infirm-relative] to have it all in one day at one location.

Certainly, families sometimes have other reasons, too, but these are the most common explanations I hear for why a family is requesting a funeral service at the parlor. Obviously there is a marked disconnect between the reasons proffered by families and the parameters established by the ritual.

Much of the trouble stems from people having lost a basic understanding of what a funeral is. A Catholic funeral is not a “life celebration.” Despite what many funeral homes try to market, a Catholic funeral is not a celebration of the deceased person’s human life. You often hear it said, “A funeral is for the family, not for the deceased.” In the Catholic framework, however, this is simply not true. A Catholic funeral is very much for the deceased, and only secondarily for the comfort of those who are left behind.

In the minds of many people, the essential component of a funeral is the eulogy. This is an issue we have addressed elsewhere. Whereas words of remembrance often are the essential element of Protestant funerals, this is never the case with the funeral of a Catholic. The essential element of a Catholic funeral is always and everywhere the efficacious sacrifice of Christ as re-presented in the Mass. It is, therefore, a matter of justice to arrange a funeral Mass for one who is deceased.

Restoring funerals & wakes to their proper locations will only be achieved at the grassroots level. Parishes need to help families making funeral arrangements to understand the background of these matters. Priests need to teach their parishioners and parents need to teach their children that location matters.

As my mother often told me, there is an appropriate time—and place—for everything.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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