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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bach Mass In B Minor • Robert Shaw, 1947

Jeff Ostrowski · October 30, 2014

733 Bach Shaw OT ALL sacred music is appropriate for use during the liturgy. For example, some pieces are too long (cf. Pius X Tra le Sollecitudini, §23) or too theatrical (idem §6). Examples would include Beethoven’s Missa solemnis, Mozart’s Requiem, Verdi’s Requiem, and Bach’s Mass in B Minor. Even though it cannot be used during the liturgy 1 it remains glorious music.

For me, one of the greatest masterpieces ever written is Bach’s Mass in B Minor. My favorite recording, in spite of a few minor flaws, has always been the 1947 version conducted by Robert Shaw. (see below)

I cannot convey to you how highly I value this music and how much joy it has brought me through the years, so I won’t even try.

The following mp3 files are courtesy of archive.org. Enjoy!

KYRIE

01 Kyrie eleison (Chorus)

02 Christe eleison (Duet: Sopranos I and II)

03 Kyrie eleison (Chorus)

GLORIA

04 Gloria in excelsis Deo (Chorus)

05 Laudamus Te (Aria: Soprano II with Violin obbligato)

06 Gratias agimus (Chorus)

07 Domine Deus (Duet: Soprano I and Tenor)

08 Qui tollis pecata mundi (Chorus)

09 Qui sedes ad dexteram (Aria: Alto with Oboe d’amore obbligato)

10 Quoniam tu solus sanctus (Aria: Bass with Corno da caccia obbligato)

11 Cum sancto spiritu (Chorus)

CREDO

12 Credo in unum Deum (Chorus)

13 Patrem omnipotentem (Chorus)

14 Et in unum Deum (Duet: Soprano and Alto)

15 Et incarnatus est (Chorus)

16 Crucifixus (Chorus)

17 Et resurrexit (Chorus)

18 Et in spiritum sanctum (Aria: Bass with Oboi d’amore obbligati)

19 Confiteor (Chorus)

SANCTUS

20 Sanctus, sanctus, sanctus (Chorus)

21 Osanna in excelsis (Chorus)

22 Benedictus (Aria: Tenor with Violin obbligato)

AGNUS

23 Agnus Dei (Aria: Alto with Violin obbligato)

24 Dona nobis pacem (Chorus)


J. S. BACH: Mass in B minor, BWV 232

Anne McKnight, soprano I
June Gardner, soporano II
Lydia Summers, contralto
Lucius Metz, tenor
Paul Matthen, bass

RCA Victor Chorale and Orchestra
Robert Shaw, Conductor
Recorded in 1947




NOTES FROM THIS ARTICLE:

1   Bach’s Mass in B Minor was probably never intended for use during an actual Catholic liturgy. If this seems strange, consider the cultural importance of the Catholic Mass going back 1600+ years. Even during the 20th century, non-Catholics like Igor Stravinsky composed Masses.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: J S BACH Mass in B minor BWV 232 Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

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  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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