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Views from the Choir Loft

Bach Mass In B Minor • Robert Shaw, 1947

Jeff Ostrowski · October 30, 2014

733 Bach Shaw OT ALL sacred music is appropriate for use during the liturgy. For example, some pieces are too long (cf. Pius X Tra le Sollecitudini, §23) or too theatrical (idem §6). Examples would include Beethoven’s Missa solemnis, Mozart’s Requiem, Verdi’s Requiem, and Bach’s Mass in B Minor. Even though it cannot be used during the liturgy 1 it remains glorious music.

For me, one of the greatest masterpieces ever written is Bach’s Mass in B Minor. My favorite recording, in spite of a few minor flaws, has always been the 1947 version conducted by Robert Shaw. (see below)

I cannot convey to you how highly I value this music and how much joy it has brought me through the years, so I won’t even try.

The following mp3 files are courtesy of archive.org. Enjoy!

KYRIE

01 Kyrie eleison (Chorus)

02 Christe eleison (Duet: Sopranos I and II)

03 Kyrie eleison (Chorus)

GLORIA

04 Gloria in excelsis Deo (Chorus)

05 Laudamus Te (Aria: Soprano II with Violin obbligato)

06 Gratias agimus (Chorus)

07 Domine Deus (Duet: Soprano I and Tenor)

08 Qui tollis pecata mundi (Chorus)

09 Qui sedes ad dexteram (Aria: Alto with Oboe d’amore obbligato)

10 Quoniam tu solus sanctus (Aria: Bass with Corno da caccia obbligato)

11 Cum sancto spiritu (Chorus)

CREDO

12 Credo in unum Deum (Chorus)

13 Patrem omnipotentem (Chorus)

14 Et in unum Deum (Duet: Soprano and Alto)

15 Et incarnatus est (Chorus)

16 Crucifixus (Chorus)

17 Et resurrexit (Chorus)

18 Et in spiritum sanctum (Aria: Bass with Oboi d’amore obbligati)

19 Confiteor (Chorus)

SANCTUS

20 Sanctus, sanctus, sanctus (Chorus)

21 Osanna in excelsis (Chorus)

22 Benedictus (Aria: Tenor with Violin obbligato)

AGNUS

23 Agnus Dei (Aria: Alto with Violin obbligato)

24 Dona nobis pacem (Chorus)


J. S. BACH: Mass in B minor, BWV 232

Anne McKnight, soprano I
June Gardner, soporano II
Lydia Summers, contralto
Lucius Metz, tenor
Paul Matthen, bass

RCA Victor Chorale and Orchestra
Robert Shaw, Conductor
Recorded in 1947




NOTES FROM THIS ARTICLE:

1   Bach’s Mass in B Minor was probably never intended for use during an actual Catholic liturgy. If this seems strange, consider the cultural importance of the Catholic Mass going back 1600+ years. Even during the 20th century, non-Catholics like Igor Stravinsky composed Masses.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: J S BACH Mass in B minor BWV 232 Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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