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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis & Mike Rowe Are in Agreement

Fr. David Friel · October 5, 2014

N A CHURCH filled with volunteer choirs and cantors, the talent level runs the gamut. It would be nice if every parish could afford to hire professional singers for every Mass, but that is not the reality in most situations. Where it is possible, of course, that should be encouraged and supported. But what should be done the rest of the time, particularly when you get a volunteer with more enthusiasm than talent?

This week, two well-known figures gave similar answers to this conundrum. The first was Pope Francis, who has been discussing various charisms during his general audiences. During last week’s audience, the Holy Father stressed that charisms must be recognized and acknowledged by the wider ecclesial community:

Someone cannot figure out by himself if he has a charism and which one. It’s a bit like that kind of person everyone has heard about, who says, “Oh I have this talent, I know how to sing so well.” And yet no one has the courage to tell him, “Hmm, it’s better you keep your mouth shut. You torment us when you sing.”

The other figure who spoke out this week is Mike Rowe, host of the TV series “Dirty Jobs.” Months ago, Rowe gave a speech in which he characterized the cliché “Follow your passion” as bad advice. One of his listeners took issue with this and wrote him a note. Defending his original position, Rowe had this to say:

Like all bad advice, “Follow Your Passion” is routinely dispensed as though its wisdom were both incontrovertible and equally applicable to all. It’s not. Just because you’re passionate about something doesn’t mean you won’t suck at it. And just because you’re determined to improve doesn’t mean that you will.

I’m fascinated by the beginning of American Idol. Every year, thousands of aspiring pop-stars show up with great expectations, only to learn that they don’t have anything close to the skills they thought they did. What’s amazing to me isn’t their lack of talent—it’s their lack of awareness, and the resulting shock of being rejected. How is it that so many people are so blind to their own limitations? How did these people get the impression they could sing in the first place?

This is a real issue that needs real solutions. The liturgy has too often served as a sort of fallback coffeehouse for lackluster musicians who cannot find an audience elsewhere. These men & women are often wonderful, active parishioners—the sort of people the parish can rely upon to volunteer for many needs throughout the year. But, if they lack sufficient talent to be of true service to the sacred liturgy, something must be done so that the parish’s worship does not suffer.

So, what to do? Fundamentally, both Pope Francis & Mike Rowe agree that the first step is to muster up enough courage to be honest. We shouldn’t fear confrontation, but it is also good to remember that the messenger (and his or her manner) can make a world of difference. If you have a wretched cantor or organist who needs to be addressed, try to think of who might be the best person to have a talk with them; it could be the music director, the priest, a deacon, or even a senior member of the choir. Then, in the conversation, be sure to affirm the person’s generosity & reliability & other good qualities. A good idea may be to have in mind another role that you could invite the person to take on—something that is better suited to their gifts & talents.

It is hard to be this honest, but the worthy celebration of the liturgy requires it. As the Holy Father stressed, charisms are never self-declared; they are always discerned in the context of the community.

If you have occasion to confront a poor musician in your parish, it may be difficult at first. Down the road, however, that person may come to be grateful for your intervention. Consider Mike Rowe’s retrospection:

When I was 16, I wanted to follow in my grandfather’s footsteps. I wanted to be a tradesman. I wanted to build things, and fix things, and make things with my own two hands. This was my passion, and I followed it for years. I took all the shop classes at school, and did all I could to absorb the knowledge and skill that came so easily to my granddad. Unfortunately, the handy gene skipped over me, and I became frustrated. But I remained determined to do whatever it took to become a tradesman.

One day, I brought home a sconce from woodshop that looked like a paramecium, and after a heavy sigh, my grandfather told me the truth. He explained that my life would be a lot more satisfying and productive if I got myself a different kind of toolbox. This was almost certainly the best advice I’ve ever received, but at the time, it was crushing.

Saying things that people need to hear is often frightening, sometimes heroic, and rarely easy. When motivated by true charity, it can be a great blessing to everyone involved.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgical Abuse, Pope Francis, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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