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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Did The Ancient Mass Really Have Three Readings?

Jeff Ostrowski · August 6, 2014

981 William Mahrt ANY TIMES I’ve spoken of my admiration for a special version of the Liber Usualis which has English translations. Published in 1957, this rare & sensational book can be downloaded thanks to the generosity of Dr. William Mahrt.

One reason the book isn’t well known is the title: “Mass & Vespers.” Many people only know “Liber Usualis” (which means “useful book”). They get confused whenever they try to explain what’s actually inside the book: Kyriale, Antiphonale, Graduale, Toni Communes, and so on. In fact, there are many different names for the Liber Usualis, like Paroissien Romain, Manuale Missae et Officiorum, Compendium Gradualis et Missalis Romani, and so forth.

However, this 1957 book is not perfect. As you can verify by the graphic on the right, it says:

There is good reason to think that the first part of the Mass originally contained not two readings only, but three: the first from the Old Testament, the second from the Epistles, the third from the Gospels. The first was followed by a Respond (the Gradual), the second by Alleluia or Tract: which is strictly in keeping with liturgical custom. When the readings were reduced to two, the Gradual and Alleluia were, left to follow one another in a haphazard way.

CURRENT SCHOLARS no longer accept this. The following comes from Dr. William Mahrt, and is printed here with permission:

HERE IS NO CONCRETE HISTORICAL EVIDENCE for a third lesson in the Roman Rite. There is, apparently, in the Milanese Rite. Perhaps the evidence that has been relied upon was the very disjunction between gradual and alleluia. Evidence against the proposed historical order (and thus the present usage of the ordinary form) is that the assignment of alleluias to the Sundays after Pentecost varies from place to place, while the other propers are quite consistent from place to place; the alleluias were unquestionably assigned after the time when a hypothetical third (unproven) reading was the case. But for the Latin Rite, there is evidence that in Augustine’s practice, there was only one lesson before the Gospel, because he preaches on the lesson, the psalm (responsorial psalm), and Gospel.

I have never seen an explanation of the “haphazard” relation of mode between gradual and alleluia. My observation in singing for the extraordinary form is that you have to calculate carefully the pitch relation between the two. I usually mark a custos at the end of the gradual, indicating the pitch of the alleluia. This, of course, presumes that the pitch of the gradual will not go down in the course of performance.

That the theory stated in Mass and Vespers has been largely been discarded is witnessed by the fact that the extensive article on alleluia in the New Grove Online by James McKinnon does not even mention the issue.

Fr. John Parsons put it this way:

S REGARDS THE OLD TESTAMENT, we are repeatedly assured that there was an Old Testament reading each Sunday morning at Mass, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed: no homilies on them by Leo or Gregory, no inadvertent cross references to them in any surviving source, not one palimpsest listing one pericope and the Sunday to which it was assigned, no tradition as to what Pope suppressed them or why; just an a priori assertion that there is a reading missing between the Gradual and the Alleluia, which would, incidentally, place the Old Testament reading after the New, contrary to practice elsewhere in the traditional Missal. This argument from silence is wildly improbable.

There are indeed Old Testament lessons on penitential days in the traditional Roman lectionary, but these are quite a different matter. The alleged set of vanished Old Testament readings are, I fear, a romantic fantasy like the vanished people’s offertory procession. They are only a theory on the lips of a liturgist, like the smile on the face of the Cheshire cat that isn’t really there. If it is now thought desirable to introduce Old Testament readings, let a new three year cycle of them be drawn up and introduced, but on an optional basis, and not on the specious ground that some element due in the liturgy had disappeared.   (source)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Novus Ordo Lectionary Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

Recent Posts

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  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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