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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy vs. Social Justice

Fr. David Friel · August 31, 2014

F YOU PRAYED MATINS yesterday morning (Saturday of the 21st Week in Ordinary Time), you read a passage from St. John Chrysostom that might have made you feel uneasy. Anyone reading this post is presumably a lover of liturgy, and Chrysostom’s words could easily, at first, appear like a challenge to liturgy lovers.

The passage is from a homily on the Gospel of Matthew, chapter 25 (“Whatever you did to the least of My brethren, you did unto Me”). In the first paragraph of the selection, Chrysostom launches his first salvo: “What we do here in the church requires pure heart, not special garments. God does not want golden vessels, but golden hearts.” Fair enough, we say. It is agreed that the sacrifice of a humble, contrite heart is more essential than ecclesiastical finery. But, we would eagerly add, beauty in the liturgy—from architecture, to music, to vestments—is not merely superfluous. Not only is it integral to the sacred liturgy, but it is also essential for the health of the human soul.

Chrysostom would not disagree. He continues:

Now, in saying this I am not forbidding you to make such gifts; I am only demanding that, along with such gifts and before them, you give alms. God accepts the former, but He is much more pleased with the latter. In the former, only the giver profits; in the latter, the recipient does, too. A gift to the church may be taken as a form of ostentation, but an alms is pure kindness.

So often, the impression is given that there are sides to be taken, as though it were impossible to share an interest in both liturgy & social justice. Many who work with the poor are sharply critical of those who live in the realm of “impractical” things such as sacred music. Conversely, if we’re honest, there are many liturgists who are too quick to accuse those in the trenches of social advocacy of irreverence and disinterest toward divine worship. Need these things be pitted one against the other? Are they really such entirely separate domains?

Chrysostom speaks strongly about the moral duty to serve Christ in the poor:

Of what use is it to weigh down Christ’s table with golden cups, when He, Himself, is dying of hunger? First, fill Him when He is hungry; then use the means you have left to adorn His table. Will you have a golden cup made but not give a cup of water? What is the use of providing the table with cloths woven of gold thread, and not providing Christ, Himself, with the clothes He needs? . . . What if you were to see Him clad in worn-out rags and stiff from the cold, and were to forget about clothing Him and instead were to set up golden columns for Him, saying that you were doing it in His honor? Would He not think He was being mocked and greatly insulted?

No one has ever been accused for not providing ornaments, but for those who neglect their neighbor a hell awaits with an inextinguishable fire and torment in the company of the demon. Do not, therefore, adorn the church and ignore your afflicted brother, for he is the most precious temple of all.

We Catholics ought not to apologize for building beautiful churches or celebrating grand liturgies; the Catholic Church ought rather to be thanked for contributing these humanizing gifts to the world. Nor should the Church apologize for her missionary efforts to serve the underprivileged; she ought instead to be esteemed for the immeasurable aid given to the poor and suffering day after day throughout the world through the auspices of Catholic parishes, institutions, and associations.

As with so many aspects of theology, the best Catholic approach here is not one of “either/or” but one of “both/and.” Beautify the liturgy, yes, but also serve the poor. Work for social justice, to be sure, and also render to God the best of everything. These things are not incompatible. As my fellow blogger, Richard Clark, has written, it is not hypocritical for a parish to be both reverent and welcoming. Similarly, being a proponent of beautiful liturgy and being an advocate for true social justice are not mutually exclusive realities. In fact, it is hard for me to imagine the one not naturally leading to the other.

The words of St. John Chrysostom are challenging. They might serve as a good examination of conscience for folks invested in the careful celebration of the sacred rites. Am I as committed to serving the poor as I am to celebrating the liturgy?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Liturgy Wars, reverent and welcoming Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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