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Views from the Choir Loft

Hippolytus of Rome & Eucharistic Prayer II

Fr. David Friel · August 17, 2014

HIS PAST WEDNESDAY, the Church throughout the world celebrated the memorial of Saints Pontian & Hippolytus, two of the great Roman martyrs of the third century. That Hippolytus was an anti-pope who was reconciled with the Church before his torture and martyrdom makes him a man of significant historical intrigue.

Again this year, I read with annoyance the brief biographical description offered about the saint in the Ordo: “Hippolytus, † 235/236; disputed author of Apostolic Tradition; Roman priest and stern rigorist; opposed Sabellianism and milder penitential discipline of Pope St. Callistus (14 Oct. [† 222]); first anti-pope (217-235); exiled to Sardinia with Pontian; source of Eucharistic Prayer II.” Here we have a case of half-truth and dated scholarship.

As was discussed during the question & answer session after a plenary lecture at this year’s Sacred Music Colloquium, the theory that Prex Eucharistica II is derived from the Apostolic Tradition of St. Hippolytus of Rome is dubious. Even less certain is the claim that this anaphora possesses the most ancient roots of all the canons.

The true authorship of the Apostolic Tradition is murky, and, at this point, to claim that the text is of Western origin is scholarly untenable. For those interested in the detailed exposition, I highly recommend an article by Matthieu Smyth (The Anaphora of the So-Called Apostolic Tradition and the Roman Eucharistic Prayer, Usus antiquior, Vol. 1 No. 1, January, 2010, 5–25). Therein the author clearly demonstrates how the structure and content of EPII betray the text’s Eastern sources. The Apostolic Tradition, by which EPII is “distantly inspired” (i.e., on which it is loosely based), is therefore not to be considered representative of early Christian liturgical tradition in Rome.

How did this Eastern anaphora from West Syria come to be in the Roman Missal of 1970? Answered simply, the Consilium formed after Vatican II set out to compile a canon that would be inspired by the text. The chief backer of this project was Dom Bernard Botte. Smyth explains:

The purpose was to enrich the patrimony of eucharistic prayers of the Church of Rome; that which was done was based on the belief of the Romanitas and of the supposed antiquity of this document, which Botte had defended with so much ardour. What a paradox for a document that in reality never had a relationship with the city and which in many respects was less ancient than the Roman Canon, the authentic eucharistic prayer proper to the Church of Rome!

The merits of including a canon of Eastern origin in the Missal celebrated throughout the West are good matter for debate. Yet the greater concern, I believe, is that this canon—the “Second Eucharistic Prayer”—has been repeatedly championed as the canon that links worshipers most closely with the liturgies of ancient Rome. This tired claim, at last, has been shown to be erroneous.

Smyth elaborates:

Those who would be more tempted to deplore the abrupt introduction in a hierarchical manner of a eucharistic prayer foreign to the Latin tradition in the midst of Western euchology would be able to console themselves by considering that the Prex eucharistica II is in reality an original composition, painted in bright colours, the creative fruit of experts of the Consilium who took the anaphora of the Diataxeis as their point of departure. Its features, stamped by their West Syrian structure and by their archaisms, are henceforth almost unrecognisable, but faithfully reflect the concerns of a small group of liturgists in the middle of the twentieth century.

The subject of the Canon of the Mass brings up a range of issues, which have been discussed on these pages before. For example, the canons saw a major change recently when Pope Francis directed that the name of St. Joseph be mentioned in every Eucharistic Prayer.

Also, there is the surprising answer to the question: does EPII really save time?

So, how did I celebrate the memorial of Saints Pontian & Hippolytus? The same way I do every year: with the Roman Canon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Consilium of Pope Paul VI, History of the Roman Canon, Liturgy of the Second Vatican Council Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
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  • “Yahweh” in church songs?

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