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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Should Female Lectors Wear At Mass?

Jeff Ostrowski · July 7, 2014

293 Comic AMICE HE COLLEGE GIRLS who acted as lectors for the Newman Center in Lawrence, KS, often wore mini-skirts so revealing it seemed they weren’t wearing pants. I know this because I attended daily Mass at the St. Lawrence Center while studying at the University of Kansas. (For the record, I’m told a new priest “cleaned house” after I left in 2005.)

As a young piano student, I remember being dumbfounded by lectors dressed immodestly and asking the question: What attire should lectors wear? I was taught that women should never wear cassock and surplice.

An ALB is also out of the question, because it’s traditionally a priestly vestment. Current legislation does allow women to wear an alb, but when they do, they’re told they must also wear “a cincture and an amice,” which strikes me as absurd. 1 But here we are not considering what a women lector is allowed to wear: we are asking what they ought to wear.

I SAY AGAIN: THE ALB is traditionally a priestly vestment. The amice and cincture are, too, and have special prayers said by the priest as he puts them on. To my knowledge, there is not one shred of iconographical evidence contradicting the idea that the alb is exclusively a priestly vestment. (Here I am considering iconographical evidence from 1960 going back to the 10th century.) Liturgists in the 1980s put forward the idea that lay Christians might have worn the alb in the earliest centuries of the Church, but selectively “plucking” a vague idea from that time period seems fraught with problems, since we have so little concrete evidence.

Pick up a copy of the Jogues Missal to see how this issue was addressed:

      * *  Jogues Illuminated Missal — A Pew Book for the Ordinary Form


Which of these possible solutions do you prefer?

            298 Lady Lector         301 Lector Woman

The blue cassocks are used for ladies at the Lateran Basilica in Rome.


UPDATE :

Some people have been quoting St. Paul in who said women should be quiet and never speak in Church (I Corinthians 14:34). I’m not sure how that quote should be interpreted in modern times. For example, Pope Pius XII encouraged women to speak in Church (the so-called “Dialogue” Mass), and the 1962 Missale Romanum allows women to make the responses if no male server is present. Furthermore, nuns inside convents have been “speaking” and singing in Church for centuries. But which of us would accuse Pope Pius XII of being ignorant of St. Paul?

However, St. Paul’s quote reminds us to guard against Bugnini’s idea of picking and choosing from a “pristine” age of the Church (while denigrating the organic development that took place through the centuries). Bugnini was either confused or dishonest about what he was doing when he declared: “Here in the Consilium we are not working for museums and archives, but for the spiritual life of the people of God.” Some people have suggested the worst example of Bugnini’s antiquarianism was the “restoration” of the Responsorial Psalm. It’s true that Pope Leo and St. Augustine alluded to something akin to the Responsorial Psalm, but we have absolutely no idea what it actually looked like or sounded like in the 4th century. In fact, I’ll give 10 million dollars to anyone who can show me just one musical score of an “original” Responsorial Psalm from the 5th century.



NOTES FROM THIS ARTICLE:

1   General Instruction of the Roman Missal — §119

In the sacristy, according to the various forms of celebration, there should be prepared the sacred vestments (cf. nos. 337-341) for the Priest, the Deacon, and other ministers:
a) for the Priest: the alb, the stole, and the chasuble;
b) for the Deacon: the alb, the stole, and the dalmatic; the latter may be omitted, however, either out of necessity or on account of a lesser degree of solemnity;
c) for the other ministers: albs or other lawfully approved attire. All who wear an alb should use a cincture and an amice unless, due to the form of the alb, they are not needed.

General Instruction of the Roman Missal — §339

In the Dioceses of the United States of America, acolytes, altar servers, readers, and other lay ministers may wear the alb or other appropriate and dignified clothing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

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  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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