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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Should Female Lectors Wear At Mass?

Jeff Ostrowski · July 7, 2014

293 Comic AMICE HE COLLEGE GIRLS who acted as lectors for the Newman Center in Lawrence, KS, often wore mini-skirts so revealing it seemed they weren’t wearing pants. I know this because I attended daily Mass at the St. Lawrence Center while studying at the University of Kansas. (For the record, I’m told a new priest “cleaned house” after I left in 2005.)

As a young piano student, I remember being dumbfounded by lectors dressed immodestly and asking the question: What attire should lectors wear? I was taught that women should never wear cassock and surplice.

An ALB is also out of the question, because it’s traditionally a priestly vestment. Current legislation does allow women to wear an alb, but when they do, they’re told they must also wear “a cincture and an amice,” which strikes me as absurd. 1 But here we are not considering what a women lector is allowed to wear: we are asking what they ought to wear.

I SAY AGAIN: THE ALB is traditionally a priestly vestment. The amice and cincture are, too, and have special prayers said by the priest as he puts them on. To my knowledge, there is not one shred of iconographical evidence contradicting the idea that the alb is exclusively a priestly vestment. (Here I am considering iconographical evidence from 1960 going back to the 10th century.) Liturgists in the 1980s put forward the idea that lay Christians might have worn the alb in the earliest centuries of the Church, but selectively “plucking” a vague idea from that time period seems fraught with problems, since we have so little concrete evidence.

Pick up a copy of the Jogues Missal to see how this issue was addressed:

      * *  Jogues Illuminated Missal — A Pew Book for the Ordinary Form


Which of these possible solutions do you prefer?

            298 Lady Lector         301 Lector Woman

The blue cassocks are used for ladies at the Lateran Basilica in Rome.


UPDATE :

Some people have been quoting St. Paul in who said women should be quiet and never speak in Church (I Corinthians 14:34). I’m not sure how that quote should be interpreted in modern times. For example, Pope Pius XII encouraged women to speak in Church (the so-called “Dialogue” Mass), and the 1962 Missale Romanum allows women to make the responses if no male server is present. Furthermore, nuns inside convents have been “speaking” and singing in Church for centuries. But which of us would accuse Pope Pius XII of being ignorant of St. Paul?

However, St. Paul’s quote reminds us to guard against Bugnini’s idea of picking and choosing from a “pristine” age of the Church (while denigrating the organic development that took place through the centuries). Bugnini was either confused or dishonest about what he was doing when he declared: “Here in the Consilium we are not working for museums and archives, but for the spiritual life of the people of God.” Some people have suggested the worst example of Bugnini’s antiquarianism was the “restoration” of the Responsorial Psalm. It’s true that Pope Leo and St. Augustine alluded to something akin to the Responsorial Psalm, but we have absolutely no idea what it actually looked like or sounded like in the 4th century. In fact, I’ll give 10 million dollars to anyone who can show me just one musical score of an “original” Responsorial Psalm from the 5th century.



NOTES FROM THIS ARTICLE:

1   General Instruction of the Roman Missal — §119

In the sacristy, according to the various forms of celebration, there should be prepared the sacred vestments (cf. nos. 337-341) for the Priest, the Deacon, and other ministers:
a) for the Priest: the alb, the stole, and the chasuble;
b) for the Deacon: the alb, the stole, and the dalmatic; the latter may be omitted, however, either out of necessity or on account of a lesser degree of solemnity;
c) for the other ministers: albs or other lawfully approved attire. All who wear an alb should use a cincture and an amice unless, due to the form of the alb, they are not needed.

General Instruction of the Roman Missal — §339

In the Dioceses of the United States of America, acolytes, altar servers, readers, and other lay ministers may wear the alb or other appropriate and dignified clothing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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