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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Famous “Agatha Christie” Indult

Jeff Ostrowski · June 9, 2014

381 Latin ANY IN OUR SOCIETY live and die by surveys. It’s a free country, so folks can do as they wish, but I know a bit too much about polling methodologies to take seriously such things. “Law and sausage are two things we should never see being made.” Similarly, surveys are nice things to toss around, as long as nobody starts asking uncomfortable questions.

For example, I never respond to surveys, because I’m too busy doing things like providing for my family. Therefore, surveys can never represent my views, in spite of the most sincere assurances by creators: “Oh, we take people like you into consideration.” In the end, surveys only reveal the feelings of people willing to take surveys.

Many love to imagine how “ordinary Catholics” felt about post-conciliar liturgical changes. One extreme claims that 100% of good Catholics rejected 100% of the changes. The other extreme adheres to the “black hole” theory of Bugnini. At some point in the future, I will give my own opinion — although I’m not sure what difference it makes.

Anyhow, search Google for Agatha Christie Indult. I think you’ll be surprised at what you find. I’d be interested to learn from our readers in England how widespread this indult was. However, it’s important to realize that this was for the 1965/1967 Missale Romanum, not the 1962, and there’s a huge difference. I was surprised to see Vladimir Ashkenazy on the list. 1

THOSE WHO HAVE READ HIS BOOK realize that Archbishop Bugnini was a staunch opponent of the 1962 Missale Romanum. His book comes across as one gigantic “pout” — those who disagree with him are called “slanderers” and “persecutors” — and appears to have been published to “even the score” with everyone who crossed him. By the way, here’s what Bugnini wrote about the Agatha Christie Indult.

A few tidbits from his book:

Page 287:   After all, despite his well-known traditionalist views, he was an intelligent man…

In other words, “In spite of his traditionalist leanings, he wasn’t an idiot.” How insulting!

Page 282:   On the feast of Corpus Christi, 1967, Una voce sent the Pope a petition, signed by, among others, educated non-Catholics and expressing “alarm and amazement” at the liturgical reform.

The way he stresses “non-Catholics” strikes me as gratuitous: does he oppose ecumenism? Hundreds more examples could be cited, especially when Bugnini talks about liturgical musicians like Fr. Hignio Anglés. Those who read the book can decide whether they agree that Bugnini’s tone is “hysterical.”

But let us consider one more quote:

Page 296:   It must be acknowledged in all honesty that the Roman authorities were even too understanding and patient.

I disagree strongly with this assertion. (See below.)

ON 3 OCTOBER 1984, the Vatican gave limited permission for use of the 1962 Missal, but the document (Quattuor Abhinc Annos) seems to treat lovers of the Traditional Mass as if they’re criminals. For example, look how “rigid” the rules are:

(a) That it be made publicly clear beyond all ambiguity that such priests and their respective faithful in no way share the positions of those who call in question the legitimacy and doctrinal exactitude of the Roman Missal promulgated by Pope Paul VI in 1970.

(b) Such celebration must be made only for the benefit of those groups that request it; in churches and oratories indicated by the bishop (not, however, in parish churches, unless the bishop permits it in extraordinary cases); and on the days and under the conditions fixed by the bishop either habitually or in individual cases.

(c) These celebrations must be according to the 1962 Missal and in Latin.

(d) There must be no interchanging of texts and rites of the two Missals.

(e) Each bishop must inform this Congregation of the concessions granted by him, and at the end of a year from the granting of this indult, he must report on the result of its application.

Sometimes I wonder what might have happened if Church authorities had been as “rigid” when it comes to prohibiting secular styles of music at Mass.

Last Sunday, visiting a parish we don’t normally attend (in a very rich part of town), we saw that somebody had decorated the entire Church with little “doves” made of white plastic — in honor of Pentecost, I guess. Yet, they totally omitted the Sequence (which is forbidden by liturgical law). If somebody asked why the Sequence was omitted, they’d probably respond, “Oh, singing the Sequence would require too much preparation.”

Can you imagine if such “rigid” rules were in force?

(f) It is not allowed to omit the Sequence on Pentecost. If hundreds of little plastic doves are used for decorations on Pentecost, these efforts shall be redirected to learning the Sequence from the Lalemant Propers, which is an easy version consisting of only three notes.



NOTES FROM THIS ARTICLE:

1   Of course I know all about him, and have followed his career for years, but I consider him a “minor” pianist compared to giants like Hofmann, Godowski, Tiegerman, Rachmaninov, and Horowitz. Then again, almost all the truly great pianists had died by 1971 …

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Omitting The Sequence On Pentecost Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In condemning us, you condemn all your own ancestors—all the ancient priests, bishops and kings—all that was once the glory of England, the island of saints and the most devoted child of the See of Peter. For what have we taught, however you may qualify it with the odious name of treason, that they did not uniformly teach?”

— Father Edmund Campion (to the Anglicans about to murder him)

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