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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download: Ordo Lectionum Missae & Ordo Cantus Missae

Jeff Ostrowski · May 5, 2014

531 Pope Paul VI HE SECOND VATICAN COUNCIL did not reform the liturgy. The fathers merely formulated principles for reform. 1 The actual task of changing the liturgy was left to Pope Paul VI.

Would you like to see the authentic books which gave us the Lectionary and Gradual of Vatican II? These are extremely rare, but you can download them here:

* *  Ordo Lectionum Missae (orig 1969)

* *  Ordo Cantus Missæ (orig 1970)

The Lectionary & Gradual are presented as never before in an exciting new congregational book that begins shipping 14 May 2014.

THE RESULTS of the Ordo Lectionum Missae are in the 1975 Lectionary. The results of the Ordo Cantus Missae are in the 1974 Graduale Romanum. Translations of the OCM’s Introduction are easily found, but English translations of the OCM are not, so we uploaded three versions.

The following video explains the significance of the Jogues Illuminated Missal:

IS IT NOT PECULIAR that the Jogues Missal is the first to highlight the Gradual as Vatican II intended? Yes, but remember that many “odd” things happened after the Council. Listen to the words of Cardinal Stickler, a peritus at the Second Vatican Council, who talks about the vernacular’s introduction into the liturgy (which formerly had been entirely in Latin):

“I still remember very well how after several radical proposals a Sicilian bishop rose and implored the fathers to allow caution and reason to reign on this point, because otherwise there would be the danger that the entire Mass might be held in the language of the people—whereupon the entire hall burst into uproarious laughter.”

As Fr. Georg May (renowned Canonist) has reminded us, when Vatican II decreed that Latin be preserved in the liturgy, the document employed the subjunctive verb (“servetur”) clearly expressing a command, not merely a recommendation.

Speaking of Latin, the OLM shows that errors sometimes exist in the official books (as Fr. Felix Just has documented), and not just the English versions. For example:

2nd Sunday of Ordinary Time
Ecce vénio, Dómine, ut fáciam voluntátem tuam.

March 25th (Annunciation)
Ecce vénio, Dómine, fácere voluntátem tuam.

Both are technically correct (although experts would most likely prefer the first) but there shouldn’t be two versions of the exact same antiphon.

AN ARTICLE PUBLISHED in 2007 by a leader of the “progressive” liturgical camp claimed that the ORDO CANTUS MISSAE only applies to Masses said entirely in Latin. Such an argument cannot be maintained. For one thing, there’s no such thing as a Mass said “entirely in Latin.” At a minimum, there will be a mixture of languages: Greek for the KYRIE, Hebrew for ALLELUIA/AMEN, and so forth. Whether we like it or not, the Council mandated that Latin be maintained in the liturgy, and Gregorian chant be given first place in liturgical ceremonies.

 


NOTES FROM THIS ARTICLE:

1   It’s not wrong to say “Vatican II Lectionary” or “Vatican II Liturgy” because it would be cumbersome and confusing to constantly say “the reformed liturgy that was called for by the Second Vatican Council, but whose actual creation took place under Pope Paul VI.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Novus Ordo Lectionary, Ordo Cantus Missae Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Liberalism in religion is the doctrine that there is no positive truth in religion, but that one creed is as good as another… It teaches that all are to be tolerated, for all are matters of opinion. Revealed religion is not a truth, but a sentiment and a taste; not an objective fact, not miraculous; and it is the right of each individual to make it say just what strikes his fancy. […] Men may go to Protestant Churches and to Catholic, may get good from both and belong to neither.”

— Bl. John Henry Cardinal Newman (May of 1879)

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