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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Parish May Crownings

Fr. David Friel · May 4, 2014

RE YOU INVOLVED in your parish May Crowning? Planning for such festivities falls to a variety of people in different parishes and institutions. In some places, the event is planned directly by the local clergy, while in other places it is the purview of a liturgy planner, youth group, volunteer parent, or music director.

Many devotions fell out of favor for a time—Forty Hours, the rosary, novenas, etc. Mercifully, many of these devotions, including the May Crowning, have made and continue to make a strong resurgence. The May Crowning is a beautiful yearly opportunity to renew our love for Mary and to enlist her prayers. A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

In most situations, preparations for this beloved annual tradition probably begin with a familiar question: What did we do last year? Since the May Crowning is a devotion with no specific, mandated form, that question is a fair place to begin. Some elements are widely incorporated: the presentation of a crown of roses by a selected lady, May poles, prayers seeking Mary’s protection, and hymns sung in honor of the Blessed Virgin. Inasmuch as a May Crowning is not a liturgical occasion, there is great freedom concerning what might constitute the ceremony. There can be songs, flowers, processions, a children’s choir, a litany, a sermon, and other celebratory components.

The National Conference of Catholic Bishops (NCCB) published a special volume in 1987, entitled, Order of Crowning an Image of the Blessed Virgin Mary. The title of this document can be misleading. Its purpose is not actually to provide a script for the May Crowning devotion, but rather to furnish a ritual for the one-time coronation of a special Marian statue with a bejeweled gold or silver crown. Ideally, the document envisions that this rite would be carried out by the diocesan bishop, or at least by another deputed bishop or priest.

Although the Order of Crowning an Image of the Blessed Virgin Mary does not specifically apply to the annual May Crowning ceremony, it may still serve as a useful resource in planning the yearly parish celebration of Mary. The structure of the rite, and even some of the prayers, readings, & intercessions provided, can serve as a starting point for formulating a parish May Crowning ceremony.

Not least among the many aspects of a good May Crowning is the musical dimension. The Order of Crowning suggests the singing of antiphons and hymns, including several Marian chants: Salve Regina, Sub Tuum Praesidium, Ave, Regina Caelorum, Alma Redemptoris Mater, Regina Caeli. American Catholics have a notably strong tradition of vernacular Marian hymns, too, which might well accompany the annual celebration.

Building up devotional celebrations and celebrating them well is an easy way for the parish church to foster greater love among its parishioners for Jesus, Mary, the Eucharist, and the Church universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

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  • “In Paradisum” • Gregorian Chant

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