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Views from the Choir Loft

How I Learned What Liturgy Really Is

Jeff Ostrowski · May 11, 2014

522 Liturgy EARS AGO, as a boy, I was part of an FSSP parish. In those days, their American seminary hadn’t been built, so priests from all over — France, Switzerland, Boston, New Zealand — passed through our parish, which was located in the center of the United States. I served Mass for these priests and created a little notebook filled with their Latin pronunciation “mistakes.”   1

One day, four priests were staying there, and someone suggested they pray their office together. All agreed. Bear in mind, these men came from four different countries: Germany, Australia, France, and Texas.

They entered the Church, pulled out their books, and prayed the Divine Office. The priest from Germany had a nicer voice, and seemed to be given the more demanding sections. I hadn’t even realized the priest from Texas could sing, but he did just fine. 2 It was truly inspiring.

This, my friends, is the meaning of liturgy.

There was no sense of “performance.” There was no unhealthy feeling of “entertainment.” There was no attempt by these priests to “outdo” one another, or impress anyone by belting out a solo. They didn’t applaud at the conclusion of each psalm or hymn. 3

LITURGY, therefore, can be defined as “people who love Jesus Christ coming together and praying the ancient texts assigned by the Church.”

I DON’T REMEMBER ANY OF THEM suggesting that popular tunes be substituted for the ancient chants, or that “upbeat” instruments be used (to make the liturgy more interesting, relevant, or engaging). Nor do I recall any of the priests recommending that the ancient prayers be “adapted” for the sake of “proper inculturation,” in spite of the fact that each came from a different country.

Again, they simply walked into Church, opened their books, and sang the prayers assigned by the Church. And it was beautiful. And they each received grace. And I did, too.

EVEN THOUGH I WAS ONLY A YOUNGSTER, I was greatly moved. The Gregorian prayers were such a perfect vehicle of unity. At least, to me they were. Perhaps I’m not as sophisticated as professional liturgists, who eliminated Gregorian chant in the 1960s. Perhaps if I were smarter, I’d realize that Gregorian chant is a “weapon” (as an SttL drafter referred to it several times in 2010).

After the Council, significant liturgical disintegration set in, often because of changes too quickly introduced. For years, it was not possible to simply “walk into Church and pray the assigned prayers” because the proper books were not available.

Now — at last ! — after five decades, we are witnessing an unbelievable flood of resources which allow us to reclaim our Roman Rite. I’m particularly excited about the Jogues Illuminated Missal, which will begin shipping this week. This book allows every man, woman, and child in our pews to come to know & love the liturgy in an exciting new way!



NOTES FROM THIS ARTICLE:

1   Years later, I’d come to understand these weren’t true “mistakes,” but merely a reflection of each priest’s nationality.

2   Some sections were done recto tono.

3   Congregations in South Texas normally applaud for the singers during Mass. Today being Mother’s Day, the Communion Meditation at a local parish was Mary, Did You Know? (sung during Holy Communion) and everyone applauded at its conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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