• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Sheed on the Missal of 1968

Dr. Peter Kwasniewski · April 17, 2014

NE OF MY FAVORITE Catholic authors is Frank J. Sheed, a vigorous Catholic apologist and author of many fine books. He was the finest flower of that remarkable preconciliar “golden age” of Catholic apologetics and popular theology to which, even now, we do not have anything exactly comparable. Sheed’s book Theology for Beginners is an accessible, refreshing, and illuminating book that every single Catholic ought to read at some point in his or her life; the larger Theology and Sanity, laid out on similar lines, is a masterpiece by all standards. And I could mention many other books, all worthy of study.

This is why I was so surprised at a little book of his published by Sheed & Ward in 1968, entitled Is It the Same Church? Coming from the pen of this great man, how disappointing it was! Reading between the lines, it sounds like Sheed is feeling plenty disturbed at what’s going on in the Church by 1968, and yet he more or less forces himself to put a good face on it all, rather than following the heroic path of men like Dietrich van Hildebrand who fearlessly identified the errors that were causing the confusion and who responded to them with cogent arguments that still nourish serious Catholics today.

Perhaps the most dismaying chapter is the fifth, “Mass and Eucharist,” which, in response to the serious objections people were making back in the mid-sixties to the increasingly radical and senseless changes in the Church’s liturgy, repeats the comfortless truism that “the Mass is the Mass.” Sheed seems to think that all you have to say is: “Look, the changes don’t affect the essence, so give up your attachment to the accidents!”―which is a superficial position, both devotionally and theologically. A hippy priest wearing love beads could say Mass in the great outdoors with teenagers singing pop songs and roasting marshmallows over a campfire, and it would still be THE mass. But come now, is this the way that our Lord wants His sacrifice to be represented among us and applied to us? Would it be fitting either to the objective reality of the holy, immortal, awesome, and life-giving mysteries of faith or to our subjective grasp of their meaning and our preparation for partaking of them? Has not our Lord offered us guidance in this matter over the course of twenty centuries of tradition, church councils, and the papal magisterium? Is there no such thing as a profound schooling by means of the celebration of the liturgy, and a worship we pay to God through the very forms we use?

The Sheedian answer―which is all too commonly heard in conservative circles―effectively dismisses as inessential everything other than the words of consecration. Yet this position leaves itself wide open to the critique of Schmemann, for whom the corruption of Western liturgy is proportional to the increasing isolation of the act of transubstantiation as the one “moment of divine activity” in the entire liturgy. While Schmemann is incorrect about many aspects of the history and theology of the Latin liturgy, he is correct to posit corruption as the inevitable result of insisting on the inessentiality or accidentality of everything other than the Eucharist qua confected sacrament. This reductionism―traces of which, incidentally, are seen not only in the Cartesian ethos of the Novus Ordo but also, within the context of traditional Catholic worship, in a determined preference for the Low Mass over the High or Solemn Mass―reflects a shallow grasp of the ecclesial meaning, cosmic dimensions, and heavenly archetype of the Eucharistic Sacrifice itself, a lack of attentiveness to the total signification of the rite in and through the rich intertwining of all its parts.

Apropos the same historical period in which Sheed was writing, Robert Fay observed:

[T]he Christian faith, and the Catholic Church in particular, have been in full-cultural retreat since the 1960s…. Yet there was another revolution in the 1960s―an internal Catholic one―that was in many ways as profound as the one taking place in the streets of Paris, New York, and London. It was a liturgical revolution, and it impacted each and every Catholic at that most fundamental unit of faith―Sunday morning Mass.

With typical forthrightness, Fr. Zuhlsdorf explains what happened, and, by implication, what must be done in order to address the catastrophe:

The Church’s identity was dealt a massive blow with the sweeping changes to Holy Mass and other rites during and after the Second Vatican Council. Paul VI permitted the Consilum, the committee set up to execute the changes mandated by the Council Fathers, to go way beyond the Council’s mandates and make a staggering number of changes not actually called for by the Council. The result was the artificially constructed “Novus Ordo.” Making matters worse, the “spirit” of the times so deeply quaffed by liberals short-circuited even the faithful implementation of the artifically created Novus Ordo. The results were wide-spread liturgical abuses and illicit experimentation, a loss of continuity of worship from place to place and with our forebears, and a grave enervation of our Catholic identity. With the weakening of our Catholic identity, we also became weaker in the eyes of the world at large and therefore easier to drive from the public square.

What, then, is the answer to this crisis? It must begin with the peaceful acceptance of the wisdom of Pope Benedict XVI, who said to every one of the world’s bishops in July 2007:

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful. It behooves all of us to preserve the riches which have developed in the Church’s faith and prayer, and to give them their proper place.

Once the Mass of the Ages has won the “proper place” that belongs to it, we may then begin to speak with humble truth of a new springtime in the Church.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.