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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Changing the Culture: Progress, Not Perfection

Richard J. Clark · January 31, 2014

NLY GOD IS PERFECT and we are not. As theologian Fr. Michael Himes is often fond of saying, “God is God and we are not.” This seems like a ridiculously obvious point. Strangely, it is a point worthy of reinforcement.

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations. This is understandable for myriad reasons and a topic for another day.

“God is God and we are not” bears repetition. Yet, God loves us in our brokenness and frailty. Humanity is by definition, flawed and weak. Should this bring us discouragement or joy? That God holds us in our weakness should be a constant occasion for joy. That notion also bears repeating every day.

So what does this have to do with liturgy? Quite a bit actually. For progress is not an excuse to not give our best or strive for the ideal. In fact, achieving progress is very difficult. Very difficult. It requires vigilance. It requires years of slow and incremental change. It requires years of consistency.

Having been in my current position for over nearly twenty-five years (gulp) a colleague once mentioned, “It takes that long to get something done.” Perhaps hyperbole, perhaps not, there is truth to this statement regarding the arc of progress and the arc of changing the culture.

No one likes change. I don’t like it. But progress only takes root if the culture or system is changed. This is the hardest thing of all, and one must not become discouraged. This will take a lifetime.

R. WILLIAM MAHRT DISTILLED THIS POINT simply and gently at the close of the Sacred Music Colloquium in 2013. What he said was striking because we had all been fully immersed in sacred music and chant. After such an intense experience, we heard him directly concluded the following (I am paraphrasing): that upon returning to our parishes, one perhaps might find that one can only add one piece of chant in the liturgy. But by doing so, beauty and dignity have been added to the liturgy. In short, his emphasis was on progress in the light of the reality that the ideal is not immediately possible.

Nor should it be immediately possible. Fifty years after Sacrosanctum Concilium, changing the culture that took root all this time will not be easy. One may find it possible to expose congregations to chant and polyphony while still offering some of what is still in their comfort zone. This is not easy. This is why progress is perhaps even harder than insisting upon perfection (not to be confused with shoddy performance). For progress brings along the entire community—or at least as much of the community as possible. Perfection makes demands that require an immediate decision to stay or go, i.e., let the chips fall where they may.

I have barely scratched the surface on this important topic and it will require more discussion and follow-up.

N THE MEANTIME, I WANT TO EXPRESS MY GRATITUDE to the readers of “View from the Choir Loft.” (This quite related to the ideas of progress.) I have been writing for “Views from the Choir Loft” for a little more than a year. When I began I absolutely did not have the time, between two jobs and children. However, the discipline of writing something every week has been a blessing far greater for me than perhaps for anyone else. It helps keep me focused on prayer and mission. This is made possible by the readers. I hope that what is presented here helps make progress despite my personal emotional baggage or perhaps wrong assumptions. I hope that my weekly “bloviations” assist in some small way. I hope we can make progress together. The readers have helped me make progress in my own professional and personal life.

Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

Recent Posts

  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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