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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Changing the Culture: Progress, Not Perfection

Richard J. Clark · January 31, 2014

NLY GOD IS PERFECT and we are not. As theologian Fr. Michael Himes is often fond of saying, “God is God and we are not.” This seems like a ridiculously obvious point. Strangely, it is a point worthy of reinforcement.

Musicians and liturgists are something of a perfectionist lot. We often berate ourselves for lack of perfection and are highly critical when liturgy falls short of rubrics or expectations. This is understandable for myriad reasons and a topic for another day.

“God is God and we are not” bears repetition. Yet, God loves us in our brokenness and frailty. Humanity is by definition, flawed and weak. Should this bring us discouragement or joy? That God holds us in our weakness should be a constant occasion for joy. That notion also bears repeating every day.

So what does this have to do with liturgy? Quite a bit actually. For progress is not an excuse to not give our best or strive for the ideal. In fact, achieving progress is very difficult. Very difficult. It requires vigilance. It requires years of slow and incremental change. It requires years of consistency.

Having been in my current position for over nearly twenty-five years (gulp) a colleague once mentioned, “It takes that long to get something done.” Perhaps hyperbole, perhaps not, there is truth to this statement regarding the arc of progress and the arc of changing the culture.

No one likes change. I don’t like it. But progress only takes root if the culture or system is changed. This is the hardest thing of all, and one must not become discouraged. This will take a lifetime.

R. WILLIAM MAHRT DISTILLED THIS POINT simply and gently at the close of the Sacred Music Colloquium in 2013. What he said was striking because we had all been fully immersed in sacred music and chant. After such an intense experience, we heard him directly concluded the following (I am paraphrasing): that upon returning to our parishes, one perhaps might find that one can only add one piece of chant in the liturgy. But by doing so, beauty and dignity have been added to the liturgy. In short, his emphasis was on progress in the light of the reality that the ideal is not immediately possible.

Nor should it be immediately possible. Fifty years after Sacrosanctum Concilium, changing the culture that took root all this time will not be easy. One may find it possible to expose congregations to chant and polyphony while still offering some of what is still in their comfort zone. This is not easy. This is why progress is perhaps even harder than insisting upon perfection (not to be confused with shoddy performance). For progress brings along the entire community—or at least as much of the community as possible. Perfection makes demands that require an immediate decision to stay or go, i.e., let the chips fall where they may.

I have barely scratched the surface on this important topic and it will require more discussion and follow-up.

N THE MEANTIME, I WANT TO EXPRESS MY GRATITUDE to the readers of “View from the Choir Loft.” (This quite related to the ideas of progress.) I have been writing for “Views from the Choir Loft” for a little more than a year. When I began I absolutely did not have the time, between two jobs and children. However, the discipline of writing something every week has been a blessing far greater for me than perhaps for anyone else. It helps keep me focused on prayer and mission. This is made possible by the readers. I hope that what is presented here helps make progress despite my personal emotional baggage or perhaps wrong assumptions. I hope that my weekly “bloviations” assist in some small way. I hope we can make progress together. The readers have helped me make progress in my own professional and personal life.

Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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