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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Exactly Is “Uninspired” Church Music?

Jeff Ostrowski · December 10, 2013

HILE STUDYING Musicology in graduate school, I was occasionally asked to give presentations on Gregorian chant at local universities. During one talk, a student raised his hand and said, “This is the third time you’ve used the word ‘uninspired.’ What precisely do you mean?” I confess that his question rather stumped me.

Since that time, I’ve often tried to come up with a good definition for uninspired. Regarding music, perhaps a good definition would be, “When the text and words don’t match.”

THE VIDEO IN THE UPPER RIGHT CORNER has an “ObamaCare” song that recently won first prize in a government-sponsored contest. Most people would hear it and say, “She’s got a bad voice.” However, I disagree. I think she’s a good singer, but her song is uninspired. It also has some technical flaws … e.g. “oblivious” doesn’t rhyme with “serious.” The entire thing (subject, melody, feel, gestures) doesn’t match. It’s an uninspired song.

People sometimes believe “uninspired” means “simple,” but that’s wrong. Melodies can be very simple, but still inspired. Recently, a colleague whom I respect sent me a video called Psallite Sapienter. It certainly does contain simple music … but (in my humble opinion) it’s completely without inspiration:

      * *  Psallite Church Music • “Once this music gets under your skin, there’s no turning back!”

Can you hear how predictable the melodies and rhymes are? I love simple music … but I hate predictable music. Furthermore, such music will quickly begin to grate, and great music should never grate. So, perhaps another definition of uninspired might be, “Music that sounds like it took about five seconds to compose.”

Speaking of uninspired, have you heard what they’re doing to Christmas carols these days? Click on the little “play” button underneath the album cover to hear what I mean:

      * *  What Child Is This? • Cody Carnes & Dianne Michelle

I’m certainly not opposed to inspired and tasteful new versions of great tunes, but what those people did (in the above link) is an abomination. I believe that sacred words demand a certain level of respect, and the way those people are singing sounds affected and erotic. Sorry.

AT THIS POINT, you’re probably saying, “Jeff, instead of being so negative, why don’t you provide us with an inspired setting?” I suppose I owe the reader that, but it’s not easy for me. You see, after a year or so, I always begin to hate my compositions … However, I suppose the Chabanel Psalm from yesterday’s Mass could be considered “not uninspired,” and here’s how it sounds:


Notice I hesitate to call my setting “inspired.” Calling one’s own composition “inspired” sounds so arrogant!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

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