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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Exactly Is “Uninspired” Church Music?

Jeff Ostrowski · December 10, 2013

HILE STUDYING Musicology in graduate school, I was occasionally asked to give presentations on Gregorian chant at local universities. During one talk, a student raised his hand and said, “This is the third time you’ve used the word ‘uninspired.’ What precisely do you mean?” I confess that his question rather stumped me.

Since that time, I’ve often tried to come up with a good definition for uninspired. Regarding music, perhaps a good definition would be, “When the text and words don’t match.”

THE VIDEO IN THE UPPER RIGHT CORNER has an “ObamaCare” song that recently won first prize in a government-sponsored contest. Most people would hear it and say, “She’s got a bad voice.” However, I disagree. I think she’s a good singer, but her song is uninspired. It also has some technical flaws … e.g. “oblivious” doesn’t rhyme with “serious.” The entire thing (subject, melody, feel, gestures) doesn’t match. It’s an uninspired song.

People sometimes believe “uninspired” means “simple,” but that’s wrong. Melodies can be very simple, but still inspired. Recently, a colleague whom I respect sent me a video called Psallite Sapienter. It certainly does contain simple music … but (in my humble opinion) it’s completely without inspiration:

      * *  Psallite Church Music • “Once this music gets under your skin, there’s no turning back!”

Can you hear how predictable the melodies and rhymes are? I love simple music … but I hate predictable music. Furthermore, such music will quickly begin to grate, and great music should never grate. So, perhaps another definition of uninspired might be, “Music that sounds like it took about five seconds to compose.”

Speaking of uninspired, have you heard what they’re doing to Christmas carols these days? Click on the little “play” button underneath the album cover to hear what I mean:

      * *  What Child Is This? • Cody Carnes & Dianne Michelle

I’m certainly not opposed to inspired and tasteful new versions of great tunes, but what those people did (in the above link) is an abomination. I believe that sacred words demand a certain level of respect, and the way those people are singing sounds affected and erotic. Sorry.

AT THIS POINT, you’re probably saying, “Jeff, instead of being so negative, why don’t you provide us with an inspired setting?” I suppose I owe the reader that, but it’s not easy for me. You see, after a year or so, I always begin to hate my compositions … However, I suppose the Chabanel Psalm from yesterday’s Mass could be considered “not uninspired,” and here’s how it sounds:


Notice I hesitate to call my setting “inspired.” Calling one’s own composition “inspired” sounds so arrogant!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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