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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“For the kingdom, the power and the glory are yours”

Jeff Ostrowski · November 6, 2013

215 ICEL Roman ONSIGNOR Schuler was a smart man who taught in the seminary for years. He’s seldom wrong, but having read his 1993 Editorial, I felt he was in error. If you read Number 6 of the petition he mentions, the following claim is made:

In the proposed ICEL Sacramentary [which would ultimately be rejected in 1998], the text of the Our Father has been changed, and the following phrase added: “For the kingdom, the power and the glory are yours now and forever.”

I thought to myself, “What’s he talking about?” As far as I can remember, those words have always been in the Novus Ordo Missae. Click here and you’ll see these words were part of the official 1975 Missale Romanum.

WITH MY CURIOSITY PIQUED, I opened up a 1970s copy of the Missal, and neither the Latin nor English words were there. “This can’t be right,” I said again. So, I looked in another edition from 1970, and once again both the Latin and English were missing. Perhaps Msgr. Schuler was correct after all? Oops! I realized that somebody had “cut and pasted” different versions of the 1970 Ordo Missae into a 1965 Missal, so I kept looking in different spots and eventually found those words in English. (Remember: the 1965 Missal does not have those words.)

So … I need to ask again:   Why do Msgr. Schuler and CREDO make that claim? Is it possible that ICEL had relocated that doxology in an earlier draft, placing it directly at the end of the Lord’s Prayer? Schuler and CREDO are correct in the second part of their statement:

Other modifications are proposed for the Our Father. “Lead us not into temptation” becomes “save us from the time of trial” and “trespasses” becomes “sins.”

You can verify this by viewing page 665 of the following document, uploaded by Richard J. Clark:

      * *  1998 Sacramentary (Rejected)

By the way, I see the Rejected 1998 Sacramentary tried to eliminate the last vestiges of “Thy”:

Our Father, who art in heaven,
hallowed be your name,
your kingdom come, your will be done,
on earth as it is in Heaven.

If you glance through that Rejected Sacramentary, you’ll see that Richard’s analysis was correct. Some supremely goofy stuff can be found in it, and perhaps that’s why, shortly thereafter, Rome hit the “reboot” button on ICEL …

[By the way, some people used to criticize ICEL’s version: “All glory and honor is yours, etc.” But it’s been a while since I last heard that criticism.]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1998 Rejected Sacramentary, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

Recent Posts

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  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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