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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Dream Come True: 1965 Missal Online!

Jeff Ostrowski · November 15, 2013

HE CHANGES MADE to the Roman Rite didn’t happen overnight. They were phased in from approximately 1965 to 1972. However, some craziness started pretty early, as you can see by looking at this fully approved “congregational” musical setting of the Our Father published in 1966.

The first major changes came when Inter Oecumenici appeared in 1964. As a result, the 1965 Missale Romanum was published, a radical departure from the 1962 version. Only a few priestly prayers during Offertory and Canon were required to be said in Latin, and even those restrictions would be lifted a couple years later. You can download all 1,780 pages of the 1965 Missal in PDF form:

PDF Download: The 1965 Missal (1,785 pages)

This book belongs to Marie Johnson; it was scanned by Corpus Christi Watershed.

THE 1965 MISSAL includes 100% of the Latin (printed in tiny type) right next to the English, because Inter Oecumenici stated in no uncertain terms:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

If this principle had been kept, many egregious errors (which still persist 40 years later) could have been avoided. The next big change came on 4 May 1967, when Tres Abhinc Annos allowed the Roman Canon to be prayed in the vernacular. Many priests tore out the (Latin) pages in their 1965 Missals and replaced them with inserts like this one. Notice the Imprimatur dated 1 October 1967. They certainly didn’t waste any time, did they? Why such a big rush to modify a venerable Rite that had existed for 1500 years? The sentence in Tres Abhinc Annos doesn’t match what I’ve been told by many people alive in 1967:

“The rich yield [of the liturgical reforms] is becoming quite clear from the many reports of bishops, which attest to an increased, more aware, and intense participation of the faithful everywhere in the liturgy, especially in the holy sacrifice of the Mass.”

The “rush job” led to many ugly, ephemeral books. In my opinion, the 1965 Missal is difficult to understand in places since it lacks red text, unlike this 1966 Sacramentary (108MB). Numerous errors were also printed, like the following (from the 1965 Missal):

In 1969, Pope Paul VI would promulgate the Novus Ordo Missae, but several more years would elapse before the “complete” Novus Ordo Rite came into existence. The haphazard way in which the various parts (3-year Lectionary, Graduale Simplex, Ordo Cantus Missae, etc.) were introduced can be seen by Bugnini’s explanation.

In 1969, many priests ripped out the Roman Canon and replaced it with inserts like this, containing four (4) new Eucharistic Prayers. Those who look carefully will notice something very odd, which I cannot fully explain:

That’s right … it’s dated December of 1968. My understanding is that Paul VI would not promulgate the new Eucharistic Prayers until 3 April 1969, but perhaps a reader can correct me.

TO QUOTE VANESSA WILLIAMS, I have “saved the best for last.” The most interesting document I’ve found is this 1970 Ordo Missae (89MB). Turn to Appendix I, and you’ll discover many fascinating injunctions. I will not detail them here, but I will provide the following example (based on Liturgicae Instaurationes, §7):

It would be fascinating to learn if books similar to the above were produced in French, Italian, Spanish, German, etc.

 

UPDATE:   Please note that the “Missale Romanum” is dated 1966. However, it’s an identical, exact reprint of the 1965 edition. Also, people have been asking about the “dream come true.” The “dream” was to have the 1965 Missal online.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1965 Missal, Annibale Bugnini Reform Last Updated: July 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— “De musica sacra et sacra liturgia” (3 September 1958)

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