• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Bugnini: the word Alleluia is a “meaningless sound”

Jeff Ostrowski · October 7, 2013

353 Last Supper HEN historian Hubert Jedin critically examined the effects of the vernacular liturgy in a 1969 article printed by L’Osservatore Romano, Annibale Bugnini became “unhinged,” writing a polemical response that includes the following statement:

As a good historian who knows how to weigh both sides and reach a balanced judgment, why did you not mention the millions and hundreds of millions of the faithful who have at last achieved worship in spirit and in truth? Who can at last pray to God in their own languages and not in meaningless sounds, and are happy that henceforth they know what they are saying? Are they not “the Church?”

His argument is absurd for two reasons. First, it is incorrect to assert that Catholics cannot understand words in a different language. For example, just think of the word “Alleluia.” Or, think of “Kyrie Eleison” and “Amen.” The same for “Hosanna in excelsis” and “Et incarnatus est.” Until the reforms following the Second Vatican Council, the Mass was (for the most part) unchanging. To say that Catholics cannot put forth a little effort and learn the basics of the Mass in Latin is untenable, especially for those who understand the great importance of the Mass. According to St. Thomas Aquinas, even if one cannot give a “dictionary definition” for the word alleluia, praying it in Church is still pleasing to God if one has the love of God in one’s heart.

The second problem with Bugnini’s assertion is treated by Fr. John Parsons in his thoughtful article:

      * *  Article by Fr. John Parsons (Printed in Sacred Music)

It is simply incorrect for Bugnini to say that a “black hole” existed from the 6th century until 1965 (when the vernacular was introduced) during which Catholics were not truly adoring God at Mass. Please carefully notice I am not saying the fathers of the the Second Vatican Council went beyond their rights when they allowed for greater use of the vernacular, declaring “it is for the competent territorial ecclesiastical authority to decide whether, and to what extent, the vernacular language is to be used” (Sacrosanctum Concilium §36c).

I WOULD ENCOURAGE to read that article by Fr. Parsons. At the end, I also included some interesting comments by Kurt Poterack, who cites a 1995 article by Fr. Brian Harrison (The Reform of the Reform) which everyone ought to read. If anyone has access to an online version, please email me.

Fr. Parsons makes many good points, especially in the section mentioning the Eastern Rites. This is a subject I will be writing more about in the context of “Bugnini logic” (see below). The words of Pope Francis about the Eastern Rites are also worthy of consideration:

They have conserved that pristine liturgy, no? So beautiful. We [i.e. those of us who celebrate the liturgy reformed by Bugnini] have lost a bit the sense of adoration, they conserve it, they praise God, they adore God, they sing, time does not count. The center is God and that is a richness that I would like to emphasize on this occasion as you ask me this question.

[Original Italian: Hanno conservato quella pristina liturgia, no?, tanto bella. Noi abbiamo perso un po’ il senso dell’adorazione, loro lo conservano, loro lodano Dio, loro adorano Dio, cantano, il tempo non conta. Il centro è Dio e quella è una ricchezza che vorrei dire in questa occasione in cui Lei mi fa questa domanda.]

As time goes on, we’ll talk more about “Bugnini logic” … a type of pseudo-logic (accepted in the 1960s) which did great harm to the Church and is now undergoing evaluation by cooler heads. In particular, statements made by Bugnini in his book on liturgy are remarkable for their brashness, and often reveal an appalling lack of understanding for basic Catholic theology. It is very difficult for me to understand how those in authority could have been taken in. They fell for it “hook, line, and sinker” as my mother would say.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.