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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Replacing the Entrance Chant With A Hymn Or Song?

Jeff Ostrowski · October 15, 2013

HE CURRENT GIRM (a.k.a. General Instruction of the Roman Missal, 2011) says the Entrance Chant assigned by the Church must be sung, unless it is replaced by “another liturgical chant” approved by the Bishop or Episcopal Conference. The same rules apply for the Offertory and Communion Chants. However, in most OF parishes, it seems like the musical program is as follows:

1. Entrance Chant: Whatever song we like.
2. Ordinary: “Mass of Creation” (Haugen)
3. Offertory Chant: Whichever song we like.
4. Communion Chant: Whatever song we like.

The reality is, less than 0.05% of Catholics know what the Mass Propers are. What a loss! These beautiful, ancient texts and melodies were preserved for 1,600 years — through war, famine, and so forth — only to be (wrongly) discarded after the Second Vatican Council, in spite of the fact that the Council wanted people to “pray the Mass, not replace the Mass.”

SPECIAL ANNOUNCMENT:

Watershed’s Vatican II Hymnal was the very first pew book to contain all the Propers (in English) for the congregation. Soon, we shall release a special new pew book which presents the Mass Propers in a way you won’t believe. To make sure you hear about this book before anyone else, please join our mailing list.

WHAT DO YOU THINK when people replace the assigned Propers with “another liturgical chant” … and they choose a song? Or they choose rock music or broadway? Or they use some other style that is not really another liturgical chant? Is this obeying the spirit and letter of the law? This issue gets a bit more complicated, as you can see here. I’m not going to treat this at the moment, because it’s kind of pointless until people start realizing the Propers exist!

If you’re a lay person and you feel bad about your ignorance of the Propers … it’s OK! Only in the last decade or so have people really begun to rediscover them. Even the former director of the USCCB Committee on Divine Worship (Fr. Krisman) seems “in the dark” when it comes to Mass Propers, and recently made some comments which, in my view, are open to serious criticism. In particular, he attacked Watershed for creating a pew book allowing the congregation to follow the Propers. He also didn’t like our creation of a complete book of simplified Mass Propers in English, approved by the Church. Here’s what he said (and thanks to the reader who emailed me his comments):

AM NOT AGAINST singing the propers as one of several options permitted. But sing them in Latin, please, with a trained choir. Using a Douay-Rheims translation and singing the texts to psalm tones does nothing to preserve the Church’s patrimony. I grew up with the Carlo Rossini propers and thought they were dreadful (I still do). And propers intended for a choir don’t belong in an assembly’s hymn book. […]
I meant what I said about propers in English and propers sung to a psalm tone. […] Propers intended for the use of a choir do not need to be included in participation aids intended for the use of the liturgical assembly. […] I will bite my tongue and say no more either about the literary quality of those texts or the Carlo Rossini approach to the musical settings.
—Fr. R. Krisman, former Executive Director of the USCCB
Liturgy Secretariat, currently works for GIA Publications


First of all, I’m not sure where Fr. Krisman is getting his information. Nobody I know uses the Douay-Rheims translation at Mass. More importantly, though, he seems adamantly opposed to the congregation being able to pray along with the Mass Propers. However, as far as I’m concerned, the congregation needs to see the Mass prayers to facilitate active participation. Even when the Propers are sung in English, it still helps to see the texts.

Finally, it’s important to remember that documents like the GIRM cannot be read “in a vacuum.” Knowledge of Catholic music traditions going back fifteen centuries is assumed, and anybody who knows anything about Catholic liturgy knows how important (essential?) the Propers are. As the video above implies, just because more options are permitted under current Ecclesiastical law, that doesn’t change what the Mass Propers are and have always been.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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