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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Replacing the Entrance Chant With A Hymn Or Song?

Jeff Ostrowski · October 15, 2013

HE CURRENT GIRM (a.k.a. General Instruction of the Roman Missal, 2011) says the Entrance Chant assigned by the Church must be sung, unless it is replaced by “another liturgical chant” approved by the Bishop or Episcopal Conference. The same rules apply for the Offertory and Communion Chants. However, in most OF parishes, it seems like the musical program is as follows:

1. Entrance Chant: Whatever song we like.
2. Ordinary: “Mass of Creation” (Haugen)
3. Offertory Chant: Whichever song we like.
4. Communion Chant: Whatever song we like.

The reality is, less than 0.05% of Catholics know what the Mass Propers are. What a loss! These beautiful, ancient texts and melodies were preserved for 1,600 years — through war, famine, and so forth — only to be (wrongly) discarded after the Second Vatican Council, in spite of the fact that the Council wanted people to “pray the Mass, not replace the Mass.”

SPECIAL ANNOUNCMENT:

Watershed’s Vatican II Hymnal was the very first pew book to contain all the Propers (in English) for the congregation. Soon, we shall release a special new pew book which presents the Mass Propers in a way you won’t believe. To make sure you hear about this book before anyone else, please join our mailing list.

WHAT DO YOU THINK when people replace the assigned Propers with “another liturgical chant” … and they choose a song? Or they choose rock music or broadway? Or they use some other style that is not really another liturgical chant? Is this obeying the spirit and letter of the law? This issue gets a bit more complicated, as you can see here. I’m not going to treat this at the moment, because it’s kind of pointless until people start realizing the Propers exist!

If you’re a lay person and you feel bad about your ignorance of the Propers … it’s OK! Only in the last decade or so have people really begun to rediscover them. Even the former director of the USCCB Committee on Divine Worship (Fr. Krisman) seems “in the dark” when it comes to Mass Propers, and recently made some comments which, in my view, are open to serious criticism. In particular, he attacked Watershed for creating a pew book allowing the congregation to follow the Propers. He also didn’t like our creation of a complete book of simplified Mass Propers in English, approved by the Church. Here’s what he said (and thanks to the reader who emailed me his comments):

AM NOT AGAINST singing the propers as one of several options permitted. But sing them in Latin, please, with a trained choir. Using a Douay-Rheims translation and singing the texts to psalm tones does nothing to preserve the Church’s patrimony. I grew up with the Carlo Rossini propers and thought they were dreadful (I still do). And propers intended for a choir don’t belong in an assembly’s hymn book. […]
I meant what I said about propers in English and propers sung to a psalm tone. […] Propers intended for the use of a choir do not need to be included in participation aids intended for the use of the liturgical assembly. […] I will bite my tongue and say no more either about the literary quality of those texts or the Carlo Rossini approach to the musical settings.
—Fr. R. Krisman, former Executive Director of the USCCB
Liturgy Secretariat, currently works for GIA Publications


First of all, I’m not sure where Fr. Krisman is getting his information. Nobody I know uses the Douay-Rheims translation at Mass. More importantly, though, he seems adamantly opposed to the congregation being able to pray along with the Mass Propers. However, as far as I’m concerned, the congregation needs to see the Mass prayers to facilitate active participation. Even when the Propers are sung in English, it still helps to see the texts.

Finally, it’s important to remember that documents like the GIRM cannot be read “in a vacuum.” Knowledge of Catholic music traditions going back fifteen centuries is assumed, and anybody who knows anything about Catholic liturgy knows how important (essential?) the Propers are. As the video above implies, just because more options are permitted under current Ecclesiastical law, that doesn’t change what the Mass Propers are and have always been.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

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  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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