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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Popes And Bishop René H. Gracida

Jeff Ostrowski · September 23, 2013

385 Gracida Poland Cardinal Wojtyla & Bishop Gracida (1978) HE IMAGE on the right shows Bishop René H. Gracida with Cardinal Wojtyla in Poland. If you want to know more about the picture, scroll to the bottom. However, first, I draw your attention to this beautiful story about Pope Paul VI. Taken from the blog Abyssus Abyssum Invocat, it was written by His Excellency, Bishop René H. Gracida:

HAD A SPECIAL RELATIONSHIP with Pope Paul VI that began with his election to the papacy. As soon as the conclave that elected him ended on June 21, 1963, Archbishop Coleman Carroll, Archbishop of Miami, announced that he was going to Rome for the coronation Mass and he invited me to accompany him even though I had become a priest of the Archdiocese only two years earlier. I had been dispensed from my solemn vows as a Benedictine in 1961 because the Archabbot of Saint Vincent Archabbey in Latrobe, Pennsylvania, had wanted me out of the Archabbey and the Order because I was an architect and did not approve of his building plans. The monastic chapter had voted down his project following my expression of disapproval in Chapter. I was promptly accepted by Archbishop Carroll as a priest in the Archdiocese.

Pope Paul VI, as Monsignor Giovanni Battista Montini and as an official in the Secretariat of State, had had a close relationship with the Carroll family since Monsignor Walter Carroll, the brother of Coleman was also an official in the Secretariat of State and Monsignor Montini had visited the Carroll home in Pittsburgh. So, at the end of June in 1963 we went to Rome and we had a private audience with Pope Paul VI after the coronation Mass.

In 1971 Archbishop Carroll’s first and only Auxiliary Bishop, Bishop John J. Fitzpatrick was made the Bishop of Brownsville by Pope Paul VI in May of that year. Rumors began circulating immediately that I would be the next auxiliary bishop of Miami. I tried to put a stop to the rumors by explaining to anyone and everyone that when I was dispensed from my solemn vows as a Benedictine in 1961 I had automatically acquired an impediment to promotion even to the rank of a monsignor by the terms of Canon 641.

Still the rumors persisted and finally Archbishop Carroll went to Rome by himself in August, 1971, something he would normally never do since he hated the heat of Rome in the summer. The months passed by and then at the end of November, 1971 Archbishop Carroll informed me that Pope Paul VI wished to appoint me his auxiliary bishop. I protested “But that is impossible since I have an impediment.” The Archbishop replied, “Do not question the decision of the Pope since he is the Supreme Legislator of the Church.” So, on December 6, 1971 I was appointed Auxiliary Bishop of Miami and was ordained on January 25, 1972.

In February, 1972 I received my copy of the ACTA APOSTOLICAE SEDES, a Vatican publication that is analogous to the Congressional Record. In it I read that in September, 1971 Pope Paul VI had asked the Congregation for Bishops and the Congregation for Religious whether he should abrogate Canon 641. The Congregations met separately in October and jointly in November to consider the question and then recommended to the Pope the abrogation of Canon 641. The Pope accepted the recommendation. Two weeks later I was appointed Auxiliary Bishop.

One can assume that in August Archbishop Carroll, who had a Doctorate in Canon Law, visited with Pope Paul VI and said something like: “Your Holiness, you know that Canon 641 was adopted by the Church in medieval times to prevent monks from leaving their monasteries to become bishops at a time when most priests in the Church were monks. This is the 20th Century and surely the need for that Canon no longer exists.” The Pope evidently agreed, and as they say, the rest is history. In November, 1975, Pope Paul VI appointed me the first bishop of the new diocese of Pensacola-Tallahassee.

NOW, HERE’S WHAT Bishop Gracida wrote about the picture shown above:

N THE FALL of 1978 I was invited by Cardinals Stefan Wyszynski and Cardinal Karol Wojtyla to visit them in Poland in my capacity as Chairman of the NCCB Committee on Migration. After visiting Cardinal Wyszinski in Warsaw, I motored to Krakow with a stopover in Czestochowa where I celebrated Mass. The next morning as I was leaving Czestochowa on the morning of 28 September 1978 a Pauline priest informed me that Pope John Paul had just died that night. I arrived at the residence of Cardinal Wojtyla a couple of hours later and on entering the Cardinal’s residence I greeted him and my first words were “Your Eminence I was shocked and saddened to learn just a couple of hours ago that our Holy Father Pope John Paul died this last night.” He replied, “Yes, Bishop Gracida, it is great loss to the Church.” Little did I realize that I was shaking the hand and speaking to the man who in just a few weeks would become Pope John Paul II. The photo was taken as I was leaving his residence two days later.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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