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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Vatican II Said (and Didn’t Say) about the Liturgy

Dr. Peter Kwasniewski · June 13, 2013

HILE THE TOPIC has received quite a bit of attention in some circles, there is still, generally speaking, a surprising lack of awareness of what Vatican II did, and did NOT, say about the liturgy. It seemed to me that it might be helpful to many to have a brief overview of some of the most salient features of the Council’s teaching on the liturgy.

The first document completed by the Fathers of the Second Vatican Council was the Constitution on the Sacred Liturgy, Sacrosanctum Concilium (1963). The introduction exhibits a mystical, contemplative, symbolic vision of liturgy. The remainder enunciates two controlling principles for renewal: first, “Mother Church earnestly desires that all the faithful should be led to that full, conscious, and active participation (actuosa participatio) in liturgical celebrations which is demanded by the very nature of the liturgy” (par. 14); second, “there must be no innovations unless the good of the Church genuinely and certainly requires them; and care must be taken that any new forms adopted should in some way grow organically from forms already existing” (par. 23).

In a 1998 address, John Paul II explained the meaning of the first principle: “Active participation certainly means that, in gesture, word, song, and service, all the members of the community take part in an act of worship, which is anything but inert or passive. Yet active participation does not preclude the active passivity of silence, stillness, and listening: indeed, it demands it. … In a culture which neither favors nor fosters meditative quiet, the art of interior listening is learned only with difficulty. Here we see how the liturgy, though it must always be properly inculturated, must also be countercultural.”

As for the second principle, the Constitution itself models the modesty it recommends. Various positive proposals are brought forward, yet there is a surprising absence of the very things that people most often associate with Vatican II.

The Council never said that Mass should cease to be in Latin and should only be in the vernacular. The Constitution reaffirmed that the fixed parts of the Mass would continue to be in Latin, the very language of the Roman Rite, but gave permission to vernacularize some parts, such as the readings and the general intercessions (par. 36; cf. par. 101). After stating that the people’s language may be used for some parts, the Council added: “Steps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (par. 54). Latin remains, to this day, the official language of the Roman Catholic Church and of her liturgy, and yet it is surprising, to say the least, that the aforementioned desideratum of Vatican II has only rarely been achieved.

The Council never said that Gregorian chant should be set aside in favor of new songs. On the contrary, the Council acknowledged Gregorian chant as “specially suited to the Roman liturgy” and deserving “pride of place” in the celebration of Mass, along with the great musical compositions of our heritage (pars. 114-117).

The Council breathed not a word about the priest “facing the people.” The Council assumed that Mass would continue to be offered by the priest facing eastwards, with the people, towards the rising sun, symbol of the Christ who is to come—the universal custom of all Eastern and Western liturgical rites from the beginning. In fact, the rubrics of the Missal promulgated by Paul VI presuppose that the priest is facing eastwards.

The Council never dictated that tabernacles be moved from the center of the church, that sanctuaries be “reordered,” or that altar rails be removed. It said nothing about receiving communion in the hand while standing. It assumed that communion under both species would continue to be of rare occurrence among the non-ordained (cf. par. 55); extraordinary ministers of holy communion are nowhere mentioned. Lastly, the Council did not downplay or discourage traditional practices of piety such as Eucharistic adoration and Marian devotions.

OW, HERE IS NOT THE PLACE to discuss the larger significance of these factual observations. My main point is that if any New Evangelization is going to take place and bear fruit, we need to know what Vatican II taught, and did not teach, about the liturgy—what it asked for, and what it did not ask for. It also helps to know the rationale behind the Church’s liturgical traditions. Just as importantly, we need to listen to the Vicar of Christ, who guides the Church in understanding and implementing the teaching of the Council.

Consider, then, how Pope John Paul II in a 2001 address explained the essence of the Mass: “The celebration of the Liturgy is an act of the virtue of religion that, consistent with its nature, must be characterized by a profound sense of the sacred. In this, man and the entire community must be aware of being, in a special way, in the presence of Him who is thrice-holy and transcendent. Consequently, the attitude of imploring cannot but be permeated by reverence and by the sense of awe that comes from knowing that one is in the presence of the majesty of God. … [The Mass] has, as its primary aim, to present to the Divine Majesty the living, pure, and holy sacrifice offered on Calvary once and for all by the Lord Jesus, who is present each time the Church celebrates Holy Mass, and to express the worship due to God in spirit and truth.”

Anyone who attends a Catholic liturgy ought to be able to see, hear, and internalize the attitude and the aim of which the late Holy Father is speaking. Pope Benedict XVI taught us, in word and in deed, the very same lessons. Joseph Cardinal Ratzinger wrote many years ago: “In the history of the postconciliar period, the Constitution on the Liturgy was certainly no longer understood from the viewpoint of the basic primacy of adoration, but rather as a recipe book of what we can do with the liturgy. In the meantime, the fact that the liturgy is actually ‘made’ for God and not for ourselves seems to have escaped the minds of those who are busy pondering how to give the liturgy an ever more attractive and communicable shape, actively involving an ever greater number of people. However, the more we make it for ourselves, the less attractive it is, because everyone perceives clearly that the essential focus on God has increasingly been lost.”

It is this essential focus that Pope Benedict, guided by the real teaching of the Second Vatican Council, strove mightily to lead us to recover. Under Pope Francis, the future has great things in store for us—if only we will trust and embrace the age-old wisdom and experience of the Church. She herself knows better than the experts who set up their trade in her temple, and, when the Lord in His mercy wills it, she will make a whip of cords and drive them out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

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  • Music List • (1st Sunday of Lent)

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