• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Adversity Builds Strength

Richard J. Clark · May 3, 2013

HE FEAST OF SAINT JOSEPH THE WORKER was this past Wednesday, May 1st. Instituted in 1955 by Pope Pius XII, it is a day dedicated to the dignity of labor. This feast has me reflecting quite a bit, mostly of my countless colleagues who work tirelessly for God’s glory.

The more professional networking I do, the more opportunity I have to listen and discover the inner workings of others’ professional lives. What I have found is extraordinary commitment and dedication. But what I have also found is something all too common and sad. It is clear that one difficult theme persists. If one has been a sacred musician long enough, one will encounter great challenge and sometimes even grave adversity. Even musicians who might appear to be in very secure and enviable positions, are at times in peril. (It is important to note that no one denomination is immune from this.) Church musicians carry “battle scars” of the profession. We can all tell “war stories.” While very sad, this speaks to the frail imperfection of human nature.

Adversity comes in myriad forms and often unique to each situation. There are the more common issues of low pay, endless hours, or perhaps obstacles to maintaining the integrity of the liturgy and music. Then there are problems individuals inflict upon one another – lack of charity that sometimes reach the level of professional abuse. Some stories are “jaw dropping” – that those who work in a Christian environment can treat each other with great professional insensitivity, no less in such an unchristian manner. These are the most troubling “war stories” that have people wisely updating their resumés and looking for new positions, a new parish, or a new choir.

It may be surprising to some (and not to others) that the perpetrators are often clergy or music directors themselves. Especially during a poor economy, the supply/demand graph does not favor the employee or a musician who needs a gig to pay some bills. When those in authority mistreat those beneath them, sadly it is insecurity that is most often the root cause of such problems. That’s all—personal insecurity.

(Thomas à Kempis writes in The Imitation of Christ, “If man had but a spark of true charity he would surely sense that all the things of earth are full of vanity!”)

So what does one do in such situations?

When things go wrong, we must be even more mindful to do our jobs with great personal and professional integrity. In turn, we will hopefully earn respect and loyalty from those who matter. How does one earn respect? By giving it!

I have to offer a few reflections, in no particular order, but I write this for myself as much as I do for anyone else. These are not simple solutions, nor perhaps even solutions at all, but I pray this may be of help to those undergoing difficult times.

• It’s never about you. We could all be gone tomorrow. We are here to serve God and each other. Never make the music or rehearsal about you. That doesn’t preclude being firm or confident in your vision, but the end goal is the greater purpose. In success, deflect credit from oneself and give credit to others. Your choir will appreciate this more than you will ever know.

• Admit mistakes. No one is perfect. When scattered and multitasking, my mistakes are plentiful! Don’t be afraid to make mistakes nor to admit them. (A self-deprecating sense of humor doesn’t hurt either!) The choir, staff, and those working with you will appreciate this more than you may know.

• Firm but always pleasant. (I have to remember this one.) The best way to get the most of your employees or singers is to set clear guidelines, expectations, and be always pleasant or at least even-keeled—a tough one for artists! Unpredictable moods make for unhappy singers or employees. Even when exhausted or stressed out, a consistently cheerful and respectful demeanor will be appreciated by your choir more than you may ever know.

• Always thank people—many times! Never cease thanking your singers, professional or volunteer! Show appreciation! No one gets tired of being thanked. Do you? Some hard working people are starving for gratitude. Perhaps this is the MOST important one.

On a spiritual and personal level, these reflections may be helpful:

• Pray always. Prayer works. I’m convinced! Pray for each other. Furthermore, when people know you are praying for them, they appreciate its healing power more than you will ever know.

• Have a support group. Whether it is colleagues, friends, people you can lean on, it is important to find those around you who appreciate your work and dedication. Likewise, be supportive of each other! Many “angels” have entered my life at just the right time to offer support, without who I would have been lost or in great trouble. Support each other: You never know when that support will lift someone when they need it most. Finally, know that God is watching over you and knows when you need help.

• Forgive. This is the most difficult, but perhaps the most important one. Realize, the person who will benefit most is the one who forgives. Forgiveness covers a lot of ground. What do I mean by that? It will reveal many blessings you perhaps never expected. It will form an internal change within. In time, this change may even be discernable to those around you. However, forgiveness sometimes is not a one-time event. It can be a daily struggle. One may have to forgive over and over. Like practicing your instrument every day, forgiveness takes daily practice. It gets easier in time. It goes against one’s instinct to love one’s enemies, but this is the love Jesus calls us to do.

Remember, forgiveness and prayer do not preclude looking to change or improve your work environment. The spiritual and the practical most go hand in hand. Adversity strengthens us to move forward.

Thomas à Kempis writes in The Imitation of Christ:

“If all were perfect, what should we have to suffer from others for God’s sake? But God has so ordained, that we may learn to bear with one another’s burdens, for there is no man without fault, no man without burden, no man sufficient to himself nor wise enough. Hence we must support one another, console one another, mutually help, counsel, and advise, for the measure of every man’s virtue is best revealed in time of adversity—adversity that does not weaken a man but rather shows what he is.”

Finally, always remember that adversity builds strength:

Acts 14: 22 “They strengthened the spirits of the disciples and exhorted them to persevere in the faith saying, ‘It is necessary for us to undergo many hardships to enter the Kingdom of God.’”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Goofy 1974 Hymn • “A Man Can Kill With a Gun, a Bomb, or a Lance”
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.