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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

American Airlines & Anti-Catholic Lies

Jeff Ostrowski · May 22, 2013

S A CHILD GROWING UP, when someone said something rather obvious, the other kids would say, “Nothing gets by you, does it?” As President of Watershed, this phrase often comes to mind. We have so many wonderful people in every corner of the world who write to us and keep us informed, almost nothing happens in the “Sacred music world” without my knowing about it (with a few notable exceptions).

Believe it or not, this is a source of great suffering for me. There is an incredible amount of false information being spread via the internet. That being said, the falsehoods are nothing new. Decades before the internet, unbelievable damage was being done to the Holy Catholic Church by people distorting her teachings on Sacred music, and Msgr. Richard J. Schuler documented a fair amount of this.

Sometimes there are outright lies, but more often, people with bad intentions distort the truth in subtle ways. Sometimes—in a patronizing, supercilious tone—they make dismissive comments about heroes of the Sacred music movement. At other times, they will “equate” things. What does it mean to equate? That means treating certain movements or ideas by unqualified amateurs as if they were on equal footing with those put forward by musicians and historians who actually know something.

But the thing that really drives me nuts is when certain self-proclaimed “authorities” treat the schlock that has been passed off as Sacred music in a serious, scholarly way. My degree is in music theory, and when I look at most of this goofy schlock (and we all know the common titles) I can hardly refrain from laughing out loud. It’s totally uninspired, predictable, and frequently poorly crafted. To put such music (forget about the texts for a minute) on the same level as masterpieces by authentic composers is something I never thought would be tolerated, yet it happens all the time.

I mentioned earlier this causes me great suffering. In my heart, I strongly desire to respond to this nonsense, setting the record straight and “proving for all to see” the arrogance and genuine evil of certain people who continue to do tremendous harm to the Catholic Church. My spiritual director has made it clear, however, that this is not God’s Will. God’s Will for me is to do everything I can to build up the positive developments. But my nature recoils against this. Some may not realize I have an extremely hot temper, especially when it comes to self-proclaimed “scholars” doing harm to the Catholic Church.

Our Lord recently sent me a reminder to listen to my spiritual director.

I took my daughter with me to attend my brother’s Ordination to the Transitional Diaconate (which was amazing, by the way, and I hope to share more details soon). It’s hard to travel with a 2-year-old, and American Airlines delayed our first two flights by five hours because “the planes are broken.” The third flight went as scheduled, but during our layover, they delayed us an hour, because American Airlines said they forgot to schedule a pilot. Then, they said the plane was “broken.” Finally, they canceled our 3pm flight because “we don’t have anymore airplanes.” For purposes of comparison, this airport is three times the size of O’Hare in Chicago. So, we were trapped at the biggest hub in the United States because American Airlines said they “don’t have any more airplanes.” They told us to go to a hotel and come back tomorrow. The attendants were extremely rude, treating us as if we were prisoners in a concentration camp, as opposed to customers who paid more than $900 for two tickets several months in advance. When I asked to speak to somebody in authority, the representative was incredibly rude. I took out my iPhone to record his exact words for posterity (“we don’t have any more airplanes”) and he called security on me. Classy. So, I ended up carrying my luggage and daughter to a hotel where we had to wake up at 5:30am the next day. I called my uncle, who has flown more than 2 million miles on American, and he explained that this type of thing happens all the time (even to him!) and usually has nothing to do with a “broken plane.” But that’s another story.

NYWAY, THE POINT IS, I began to realize that there was absolutely nothing I could do. American Airlines decided to cancel the flight and they couldn’t care less about treating me or my daughter in a decent way. I felt helpless, and when I tried to hold them accountable, all they did was call security on me.

This is similar to the lies and falsehoods on the internet about Sacred music. When all is said and done, there is very little I can do to stop evil people from harming the Church in this way. Therefore, I will continue to strive to follow the advice of my spiritual director, trust MORE in God, and be at peace. It won’t be easy, but I will try.

On the other hand, if I feel strongly called by God to respond to a particular falsehood online in order to help good Catholics along the right path, I may do this from time to time. I don’t think this would be necessarily contrary to my spiritual advisor’s words, if done infrequently.

P.S.

Normally when you exit the plane, your luggage is at the baggage claim. For some reason, American Airlines decided to “throw us a curve ball.” After waiting 40 minutes, we finally found out the truth. They didn’t send the luggage the normal way, so each one of us had to go to a different location and (one by one) have a person retrieve each piece of luggage. Totally bizarre, but this was American Airlines way off “adding insult to injury.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.