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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

American Airlines & Anti-Catholic Lies

Jeff Ostrowski · May 22, 2013

S A CHILD GROWING UP, when someone said something rather obvious, the other kids would say, “Nothing gets by you, does it?” As President of Watershed, this phrase often comes to mind. We have so many wonderful people in every corner of the world who write to us and keep us informed, almost nothing happens in the “Sacred music world” without my knowing about it (with a few notable exceptions).

Believe it or not, this is a source of great suffering for me. There is an incredible amount of false information being spread via the internet. That being said, the falsehoods are nothing new. Decades before the internet, unbelievable damage was being done to the Holy Catholic Church by people distorting her teachings on Sacred music, and Msgr. Richard J. Schuler documented a fair amount of this.

Sometimes there are outright lies, but more often, people with bad intentions distort the truth in subtle ways. Sometimes—in a patronizing, supercilious tone—they make dismissive comments about heroes of the Sacred music movement. At other times, they will “equate” things. What does it mean to equate? That means treating certain movements or ideas by unqualified amateurs as if they were on equal footing with those put forward by musicians and historians who actually know something.

But the thing that really drives me nuts is when certain self-proclaimed “authorities” treat the schlock that has been passed off as Sacred music in a serious, scholarly way. My degree is in music theory, and when I look at most of this goofy schlock (and we all know the common titles) I can hardly refrain from laughing out loud. It’s totally uninspired, predictable, and frequently poorly crafted. To put such music (forget about the texts for a minute) on the same level as masterpieces by authentic composers is something I never thought would be tolerated, yet it happens all the time.

I mentioned earlier this causes me great suffering. In my heart, I strongly desire to respond to this nonsense, setting the record straight and “proving for all to see” the arrogance and genuine evil of certain people who continue to do tremendous harm to the Catholic Church. My spiritual director has made it clear, however, that this is not God’s Will. God’s Will for me is to do everything I can to build up the positive developments. But my nature recoils against this. Some may not realize I have an extremely hot temper, especially when it comes to self-proclaimed “scholars” doing harm to the Catholic Church.

Our Lord recently sent me a reminder to listen to my spiritual director.

I took my daughter with me to attend my brother’s Ordination to the Transitional Diaconate (which was amazing, by the way, and I hope to share more details soon). It’s hard to travel with a 2-year-old, and American Airlines delayed our first two flights by five hours because “the planes are broken.” The third flight went as scheduled, but during our layover, they delayed us an hour, because American Airlines said they forgot to schedule a pilot. Then, they said the plane was “broken.” Finally, they canceled our 3pm flight because “we don’t have anymore airplanes.” For purposes of comparison, this airport is three times the size of O’Hare in Chicago. So, we were trapped at the biggest hub in the United States because American Airlines said they “don’t have any more airplanes.” They told us to go to a hotel and come back tomorrow. The attendants were extremely rude, treating us as if we were prisoners in a concentration camp, as opposed to customers who paid more than $900 for two tickets several months in advance. When I asked to speak to somebody in authority, the representative was incredibly rude. I took out my iPhone to record his exact words for posterity (“we don’t have any more airplanes”) and he called security on me. Classy. So, I ended up carrying my luggage and daughter to a hotel where we had to wake up at 5:30am the next day. I called my uncle, who has flown more than 2 million miles on American, and he explained that this type of thing happens all the time (even to him!) and usually has nothing to do with a “broken plane.” But that’s another story.

NYWAY, THE POINT IS, I began to realize that there was absolutely nothing I could do. American Airlines decided to cancel the flight and they couldn’t care less about treating me or my daughter in a decent way. I felt helpless, and when I tried to hold them accountable, all they did was call security on me.

This is similar to the lies and falsehoods on the internet about Sacred music. When all is said and done, there is very little I can do to stop evil people from harming the Church in this way. Therefore, I will continue to strive to follow the advice of my spiritual director, trust MORE in God, and be at peace. It won’t be easy, but I will try.

On the other hand, if I feel strongly called by God to respond to a particular falsehood online in order to help good Catholics along the right path, I may do this from time to time. I don’t think this would be necessarily contrary to my spiritual advisor’s words, if done infrequently.

P.S.

Normally when you exit the plane, your luggage is at the baggage claim. For some reason, American Airlines decided to “throw us a curve ball.” After waiting 40 minutes, we finally found out the truth. They didn’t send the luggage the normal way, so each one of us had to go to a different location and (one by one) have a person retrieve each piece of luggage. Totally bizarre, but this was American Airlines way off “adding insult to injury.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

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