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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Say the Black. Do the Red—with Love.

Richard J. Clark · April 5, 2013

HERE IS FREQUENT TENSION and struggle with liturgy: excessive liturgical creativity can lead us to forget that God’s sacred initiative is taking place during the Holy Sacrifice of the Mass. Mass is not something that we do or that we make or that we create. Certainly the Mass takes work on our part (“leitourgia”, from the Greek meaning “the people’s duty/service”), but this should not lead us to the illusion that we are driving the agenda or that we are in charge. For God’s grace works in a very different direction.

As such, many of us have experienced liturgies that are far less than ideal, perhaps where the sanctuary becomes a stage and the congregation becomes an audience. Priests and musicians are guilty of this, often with words, actions, and music that point to ourselves rather than to God. We can easily get caught up in celebrating what we have done, and not what God has done for us.

So when things go badly, it is a good opportunity for catechesis—a teaching moment that can take root when delivered with kindness. With this comes teaching not only what is ideal, but why it is ideal. Read the Black. Do the Red, but with a heart of compassion and as a teacher. This is the work of a lifetime.

In doing so we must truly be mindful that the road to the ideal must travel through the hearts and minds of real flesh and blood. After all, it is human hearts we hope to reach. Therefore, if in our ministry we are not teaching love, then we have failed.

Yet, teaching love does not preclude implementing reform, fraternal correction, or discipline. Any parent or teacher knows that love demands this. A good leader knows this, teaching and leading by example. Implementing reform with love demands a tricky balance of offering leeway with strict “tough love.”

Reform must travel through human hearts and minds in such measure that it does not instill discouragement which often leads to abandonment and rejection of sacred values and principles. Love demands keeping those in our charge on the right course as best we can, for we too are only human. We may not always succeed, and we cannot control how others respond to our best efforts. However, a thoughtful and kind approach usually wins out over time. For navigating the rough uncharted waters of human nature is perhaps the biggest challenge we face as catechists.

We are reminded of Matthew 22:36-40: “Teacher, which is the greatest commandment in the Law? Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.”

Finally, in Blessed John Paul II’s 1998 Ad Limina Address to the Bishops of the United States, On Active Participation in the Liturgy he describes our very real human experience in the context of Divine Worship.:

“The universal Church is united in the one great act of praise; but it is always the worship of a particular community in a particular culture. It is the eternal worship of Heaven, but it is also steeped in time. It gathers and builds a human community, but it is also the worship of the Divine Majesty (Sacrosanctum Concilium, 33). It is subjective in that it depends radically upon what the worshippers bring to it; but it is objective in that it transcends them as the priestly act of Christ himself, to which he associates us but which ultimately does not depend upon us (ibid., 7).”

Here, he explains what is ideal:

“..it is so important that liturgical law be respected. The priest, who is the servant of the liturgy, not its inventor or producer, has a particular responsibility in this regard, lest he empty liturgy of its true meaning or obscure its sacred character.”

Here the Holy Father explains why this is ideal:

“The core of the mystery of Christian worship is the sacrifice of Christ offered to the Father and the work of the Risen Christ who sanctifies his People through the liturgical signs.”

Let us be mindful that it is God who does great things for us. It is Christ who sanctifies us in liturgical signs. It is God whom we bless, praise, adore, and glorify. It is God to whom we give thanks for his great glory!

We do all this because we love God and because we love each other, just as He commands.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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