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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Free Download • “Liber Usualis” PDF Online (Solesmes, 1961)

Corpus Christi Watershed · March 19, 2013

Here’s the direct URL link.

ANY PEOPLE think they need the Liber Usualis, but might actually prefer the Graduale if they knew about it. The Liber Usualis is (of course) the “Vatican Edition” (Editio Vaticana), but with rhythmic signs added by Dom André Mocquereau in 1908 (and not one of these marks was ever changed in a subsequent edition, even 100 years later). If you don’t understand what the “Vatican Edition” is, please watch these videos or read this article. Anyway, here’s an online PDF copy of the 1961 Liber Usualis published by the monks of Solesmes:

* *  Liber Usualis (Solesmes, 1961) • free PDF
—Liber Usualis, with Introduction and Rubrics in English Hardcover • 2340 pages.

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Liber Usualis book scan courtesy of Jeffrey Tucker.

If you like the Liber Usualis, you should download the 1957 version that includes English Translations:

* *  1957 Solesmes Liber Usualis with English Translations

“LIBER USUALIS” DESCRIPTION:
The 1961 Edition of the “Liber Usualis” by the Benedictines of the Solesmes Monastery • The “Liber Usualis” contains the complete Latin settings of Gregorian Chant for every Mass of the year (Sundays, Solemnities, Commons and Feasts) as well as for Nuptial Masses, Requiem Masses, Holy Week, and Ordination. Additionally it provides much of the Gregorian Chant to be sung in Latin for the Divine Office (Vespers, Compline, etc.), as well as many other traditional Latin chants and hymns (Litanies, Benediction, and so forth). • Gregorian Chant for Every Mass of the Year • There’s no such thing as a “1962” Liber Usualis, because the 1962 Liber Usualis is identical to the 1961 version +

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: 1962 Liber Usualis Solesmes, PDF download Liber Usualis Last Updated: August 25, 2023

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Palestrina wrote two Masses in honor of the Blessed Virgin—one “a 6” before the Council of Trent, consequently with the tropes, and first published in 1570. In 1599 it was republished in Palestrina “Missarum Liber III” with the tropes removed, and in their place the liturgical words of the “Gloria” reiterated.

— Henry Coates

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