Views from the Choir Loft

1923 Gastoué Treatise on Gregorian Accompaniment

Corpus Christi Watershed · March 19, 2013

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* * 1923 Amédée Gastoué Treatise on Gregorian Accompaniment (PDF)

• Traité d’Harmonisation du Chant Grégorien sur un plan nouveau • Author: Amédée Gastoué, Commandeur de St-Grégoire-le-Grand, Consulteur de la Commission Pontificale Grégorienne, Professeur de Chant liturgique à la Schola Cantorum et à l’Institut Catholique de Paris • 1923? : : Copyright 1910 : : Letter of Recommendation 1923 • 125+ pages • Publication: JANIN FRÈRES, Éditeurs • Lyon, 10, Rue Président-Carnot • Déposé selon les traités internationaux. • Propriété pour tous pays. • Tous droits d’exécution, de traduction, de reproduction et d’arrangements réservés. • Copyright by Janin Frères, 1910. • Gastoué has a 1923 letter from the Vatican commending his work, and claims to draw on the help of people like “Al. Guilmant, MM. V. d’Indy, Th. Dubois, Eug. Gigout, de La Tombelle, Maurice Emmanuel, etc.” •

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski

16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski

14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé