Views from the Choir Loft

1920 Solesmes Liber Usualis (Fragment)

Corpus Christi Watershed · March 19, 2013

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* * 1920 Solesmes Liber Usualis (Fragment)

• Paroissien Romain : contenant la messe et l’office, pour tous les dimanches et fêtes de I. et de II. classe. Chant Grégorien extrait de l’edition vaticane et signes rythmiques des Bénedictins de Solesmes. Book in French 1920 : : Société de Saint Jean L’évangeliste (SOCIÉTÉ DE SAINT JEAN L’ÉVANGELISTE) Desclée & Cie Imprimeurs du Saint-Siège et de la Sacrée Congrégation des Rites ROME, TOURNAI •

* * 1921 Solesmes Liber Usualis (Fragment)

• Liber usualis missae et officii pro Dominicis et festis I. vel II classis : cum cantu gregoriano ex editione Vaticana adamussim excerpto et rhythmicis signis in subsidium cantorum a solesmensibus monachis diligenter ornato. Abbaye Saint-Pierre de Solesmes. xxvii, [1], 1605, 13 p. : music ; 19 cm. 1921 Romae ; Tornaci : Typis Societatis S. Joannis Evang., Desclée & Socii • Mocquereau’s 1921 Liber Usualis. Interesting (but used earlier?) Preface, in Latin. •

* * 1954 Liber Usualis (Solesmes) in modern notation (Fragment)

• LIBER USUALIS : Missae et Officii : Pro Dominicis et Festis cum cantu Gregoriano quem ex editione typica in recentioris musicae notulas translatum solesmenses monachi rhythmicis signis diligenter ornaverunt Author: Solesmes Publishing Information: : : 1954 : : Typis Societatis S. Joannis Evang. : : Descleé et Soc. : : S. Sedis Apostolicae et Sacrorum Rituum Congregationis Typographi : : PARISIIS, TORNACI, ROMAE : : 1954 • There are no differences between the 1924 version • Compare the HENRI DU MONT MASS in modern notation transcribed by Solesmes •

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“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker