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Views from the Choir Loft

Dr. Theodore Marier And Pope Francis

Jeff Ostrowski · March 16, 2013

OPE FRANCIS appears to be less interested in Liturgy than his immediate predecessor, Pope Benedict XVI. Some are asking, “What will become of the Liturgical movement called for by Pope Benedict and popes before him?” While I have no inside information, I can say that at this time I see no cause for alarm. First of all, the strength of the Liturgical movement relies on objective truth. It does not rely on the current Pope. It must be judged by its merits. It must continue to build upon truth, not decrees. After all, there have been many times in the history of the Church when a bad Pope was reigning (and note carefully I am not for one second implying Pope Francis will be a bad Pope). However, during these times, good priests and Bishops simply continued to do the Lord’s work. They did not all of a sudden start wrecking the Liturgy on the local level. The local level is what’s important. Each individual’s relationship with Jesus Christ is what’s most important. The example to follow is Dr. Theodore Marier, who continued to build a wonderful Church music program in spite of all kinds of difficulties from the hierarchy.

Furthermore, the wonderful documents of Pope Benedict XVI will not cease to exist because he is no longer Pope. Are they true? If they are, their truth will continue to endure and inspire.

Finally, because of Pope Benedict XVI’s Papacy, what he wrote, and what he did, it is no longer possible for anyone to say that the Second Vatican Council outlawed reverent Liturgy. Thanks to the Pontificate of Benedict XVI, it is perfectly clear that Vatican II encouraged Latin, choirs, dignified music, ad orientem, beautiful vestments, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

Recent Posts

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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