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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for February 2013

Aristotle A. Esguerra · February 18, 2013

First Impressions of Bishop Sample’s Pastoral Letter on Sacred Music

A bishop issues diocesan-wide directives on the role of music in the liturgy. A look at some of the more noteworthy instructions.

Fr. David Friel · February 17, 2013

Humility

The Root Virtue

Jeff Ostrowski · February 17, 2013

A Word About Hymns . . . OK, A Few Words!

Tozer: “I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal — as I hope this one will — to the varied needs of various churches.”

Jeff Ostrowski · February 16, 2013

Famous Conductor Fired Because He Refused To Sing Hymn

The following letter was printed in the “Sacred Music Journal” (Winter of 2002). I was shocked when I first read it. It concerns a conductor famous for his performances of the works of William Byrd.

Richard J. Clark · February 15, 2013

A Proposed Lenten Fast for Musicians

Christ’s love has gathered us into one. True, we may be united in the love of Christ—but not necessarily in other things. Our differences may be vast. This is where the bounds of love and Christian charity are truly tested.

Dr. Peter Kwasniewski · February 14, 2013

The Devil’s Parody

The pro-life mentality echoes and imitates the good angels who chose eternal life by the power of sanctifying grace . . .

Jeff Ostrowski · February 14, 2013

Astounding Talk Given By Pope

We will have more on this. This is remarkable.

Corpus Christi Watershed · February 14, 2013

News Items / 14 February 2013

Some recent items of note . . .

Andrew R. Motyka · February 13, 2013

Lord, Have Mercy?

In which I make Prince references to describe the Ash Wednesday Kyrie.

Fr. David Friel · February 13, 2013

Beautiful Savior

The Meaning of Ash Wednesday

Corpus Christi Watershed · February 11, 2013

The Pope Has Prayed About This Decision For A Long Time

We are now learning that our Holy Father had been contemplating and praying about his resignation for a very long time. In April of 2009, the Holy Father visited the tomb of an obscure Pope named St. Celestine V, remarkable for a certain reason . . .

Jeff Ostrowski · February 11, 2013

Pope Benedict XVI to Step Down Feb. 28

I believe that Pope Benedict XVI will go down in history as one of the greatest Popes.

Fr. David Friel · February 10, 2013

Lovely, If Unfamiliar

Duc in Altum

Jeff Ostrowski · February 9, 2013

Reflections on the Liturgy by Andrew Nash

When we shake hands, we do not feel the need to explain, “By this gesture I am establishing contact with you.”

Richard J. Clark · February 8, 2013

Mardi Gras and Burying the Alleluia

The “Alleluia” was literally buried in the cemetery, leaving the people with the hope and anticipation of its Easter Sunday resurrection.

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President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • Latin Liturgy Association
  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

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