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Corpus Christi Watershed

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Views from the Choir Loft

Archives for February 2013

Aristotle A. Esguerra · February 18, 2013

First Impressions of Bishop Sample’s Pastoral Letter on Sacred Music

A bishop issues diocesan-wide directives on the role of music in the liturgy. A look at some of the more noteworthy instructions.

Fr. David Friel · February 17, 2013

Humility

The Root Virtue

Jeff Ostrowski · February 17, 2013

A Word About Hymns . . . OK, A Few Words!

Tozer: “I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal — as I hope this one will — to the varied needs of various churches.”

Jeff Ostrowski · February 16, 2013

Famous Conductor Fired Because He Refused To Sing Hymn

The following letter was printed in the “Sacred Music Journal” (Winter of 2002). I was shocked when I first read it. It concerns a conductor famous for his performances of the works of William Byrd.

Richard J. Clark · February 15, 2013

A Proposed Lenten Fast for Musicians

Christ’s love has gathered us into one. True, we may be united in the love of Christ—but not necessarily in other things. Our differences may be vast. This is where the bounds of love and Christian charity are truly tested.

Dr. Peter Kwasniewski · February 14, 2013

The Devil’s Parody

The pro-life mentality echoes and imitates the good angels who chose eternal life by the power of sanctifying grace . . .

Jeff Ostrowski · February 14, 2013

Astounding Talk Given By Pope

We will have more on this. This is remarkable.

Corpus Christi Watershed · February 14, 2013

News Items / 14 February 2013

Some recent items of note . . .

Andrew R. Motyka · February 13, 2013

Lord, Have Mercy?

In which I make Prince references to describe the Ash Wednesday Kyrie.

Fr. David Friel · February 13, 2013

Beautiful Savior

The Meaning of Ash Wednesday

Corpus Christi Watershed · February 11, 2013

The Pope Has Prayed About This Decision For A Long Time

We are now learning that our Holy Father had been contemplating and praying about his resignation for a very long time. In April of 2009, the Holy Father visited the tomb of an obscure Pope named St. Celestine V, remarkable for a certain reason . . .

Jeff Ostrowski · February 11, 2013

Pope Benedict XVI to Step Down Feb. 28

I believe that Pope Benedict XVI will go down in history as one of the greatest Popes.

Fr. David Friel · February 10, 2013

Lovely, If Unfamiliar

Duc in Altum

Jeff Ostrowski · February 9, 2013

Reflections on the Liturgy by Andrew Nash

When we shake hands, we do not feel the need to explain, “By this gesture I am establishing contact with you.”

Richard J. Clark · February 8, 2013

Mardi Gras and Burying the Alleluia

The “Alleluia” was literally buried in the cemetery, leaving the people with the hope and anticipation of its Easter Sunday resurrection.

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The creed at baptism may be said in either Greek or Latin, at the convert’s discretion, according to the Gelasian Sacramentary.”

— Father Adrian Fortescue

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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