• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Nothing That Requires Explanation?

Dr. Peter Kwasniewski · February 28, 2013

N SACROSANCTUM CONCILIUM 34 we read: “The rites should be distinguished by a noble simplicity; they should be short, clear, and unencumbered by useless repetitions; they should be within the people’s powers of comprehension, and normally should not require much explanation.” In the new climate of a sincere, open, and honest discussion of the documents of Vatican II, we might genuinely wonder about the legitimacy of that last idea―“and normally should not require much explanation.”

First, there is no such thing as a born Christian, nor a man naturally attuned to symbolism, especially in our age of asymbolic emptiness, when the most elementary religious instincts have been lost or perverted. Everyone needs to learn the meaning of symbols and symbolic gestures. Indeed, one of the most important elements of catechesis is to inculcate the Christian mystagogy, the meaning of all the aspects of Christian worship. Once a layman has learned the meaning of the rituals, gestures, prayers of the ancient rite, he never needs to have them explained again; they remain deeply lodged in the heart, fecundating his spiritual life.

Thus, turning the Council’s statement on its head, the liturgy in absolutely every respect MUST be explained if it is to have and retain any meaning at all. The statement that nothing should need to be explained refutes itself from the very definition of symbol and ritual, which are interpretive motions towards God and cannot be absent from worship unless it degenerates completely into no more than an organized social gathering where greetings and handshakes are exchanged. This kind of formal coffee hour, of course, would need no explaining; but it is also not worship in any sense of the word, much less the renewal of the Sacrifice of Calvary.

To go further, the Council’s statement is strange, for the simple reason that anything profound requires explanation, inculcation, catechesis―the liturgy above all, as testified in Romano Guardini’s masterful sermons on the liturgy, which he preached to an appreciative congregation. To say that the liturgy should somehow be “transparent” in the sense of requiring no prior formation―something quite contrary to the elaborate initiatory practice of the early Church, which prepared her catechumens with such care (how ironic in this age of supposed “return to antiquity”!)―is to set up not only an impossible but an anti-liturgical goal.

To go further still, the traditional Roman liturgy is, in a way, far more transparent, far more immediately understandable, because it is more attentive to the majesty and solemnity of the sacrifice and does not attempt to simplify (and thereby cheapen) the contents of worship. Quietly ignoring the question of audience response, it is nonetheless capable of eliciting an immediate response of a far deeper quality. This is why good-hearted Catholics who attend the ancient liturgy may come away perhaps a bit confused as to the details but still filled with a sense of mystery and majesty, aware of the sublime and unique nature of true Christian worship. Provided that they understand the rudiments of Catholic doctrine, they have seen and heard the mystery of the word of God and the Holy Eucharist; they do not need an immediate explanation of every detail. They will grow into the details over time, especially if the priest does his job by judicious explanations in sermons, as any good traditional priest would do.

The real crisis at the time of the Council was that priests were no longer devoted to, and no longer cared to preach about, the mysteries, the rituals, the symbols. Thus the Consilium of Paul VI thought to solve the problem by fabricating a symbolically “obvious” ritual, and succeeded, as Catherine Pickstock argues, in giving us something nearly totally devoid of symbolic richness, subtlety, and depth. In a sort of inversion of Catholic incarnational spirituality, they surrendered to the anti-symbolic, anti-sacral carnality of the modern world, where obsession with the flesh―that is, the palpable, immediate, obvious, no-need-to-be-explained environment of daily experience―clouds over the apprehension of invisible spiritual realities.

Yet another reason for Summorum Pontificum, which has inaugurated the liturgical renewal that the Council attempted but, thanks to the snares of ideology, failed to achieve.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“The Mass, said in Latin, is the same all over the world. Go where you will, the language is the same; and such unity is in itself a great good, far greater than would be the mere understanding of the words.”

— John Henry Newman (1859)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.