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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Word About Hymns . . . OK, A Few Words!

Jeff Ostrowski · February 17, 2013

OR THOSE INTERESTED in my opinions, I have written a fair amount about Catholic hymnody here [url] and here [url]. But I expect I will never be “finished” talking about hymns. For the record, I love hymns. For years, I did not love hymns, but that was because I was not exposed to great hymns. Now that I think about it, I also wrote about hymns here [url]. I will try my best not to repeat what I have already said in the aforementioned articles, but (as you might expect) this could prove difficult. I have been known to criticize priests who preach long, rambling sermons relating to the congregation “everything they know”: but now the shoe is on the other foot, as I sit here trying to resist the temptation to tell “everything I know” about hymns … because it is all so interesting!

Augustus Edmonds Tozer (d. 1910) was an English organist who edited a famous Catholic Hymnal which he called (with great originality) “Catholic Church Hymnal.” I think it first appeared around 1905. As I have already implied (in those articles) most of the stuff that appeared in those early Catholic vernacular hymnals was pretty much … garbage. What is hilarious (to me, at least) is reading what Tozer says on the very first page of his Preface:

I have not included the proper plain-chant melodies to the translated Breviary hymns, believing them to be unsuitable when sung to words in the vernacular. I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal— as I hope this one will— to the varied needs of various churches. [my emphasis]

I would have changed his word “several” to “a whole bunch,” and if you read my previous articles, or this one [url] (which I just remembered), you will see that Adrian Fortescue and many others agree with this notion.

I have recently been thinking about hymns quite a bit, since two days ago I released 800 pages of organ accompaniments for the Campion Missal [url]. A good portion of these pages are hymn harmonizations, and you can view both volumes here:

     *  Organ Accompaniments for the Campion Hymnal [url]

I am so glad that I included a lot of different harmonizations and transpositions for the hymns. There is no “perfect” accompaniment for a hymn. After all, there can be many beautiful and adequate harmonizations. What range is good? SATB range is different than congregational. If your cantor has a low voice, a lower accompaniment is good. If he has a higher voice, a higher version would be preferred. Some organists have a “transposer” button on their organs, but many do not. Some organists cannot play hymns with a difficult key signature. This also has an effect. Usually, D Major, C Major, B-flat Major, G Major, F Major, and E-flat Major are “safe” keys. What about a pedal line? Should that be included? What about descants? What about passing tones? Should those be included? Some organists (myself included) add these only for certain verses. When will the hymn be sung? In the morning, the range should be lower. At night, the range should be higher. By the way, “range” is not the same as “tessitura.” The acoustics of the Church have an impact. Furthermore, sometimes the organist can “build”: in other words, play two verses at a lower key, then improvise into a higher key for the final verse. There are hundreds more considerations, and this is why I am so glad our newest book includes different versions for many of the hymns. I believe that more than half of the hymns are given in more than one key.

P.S.  Some organists claim they can “transpose at sight.” However, I personally have only met a handful of organists who can do this. Sometimes organists say they can transpose at sight … until you ask them for a demonstration! Other organists claim they can transpose at sight … and when it comes time for them to do it, they slow the tempo WAY DOWN. I cannot transpose at sight, except for rather simple pieces. If you are an organist who can genuinely transpose at sight, please know you are special !!! My hat is off to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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