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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Word About Hymns . . . OK, A Few Words!

Jeff Ostrowski · February 17, 2013

OR THOSE INTERESTED in my opinions, I have written a fair amount about Catholic hymnody here [url] and here [url]. But I expect I will never be “finished” talking about hymns. For the record, I love hymns. For years, I did not love hymns, but that was because I was not exposed to great hymns. Now that I think about it, I also wrote about hymns here [url]. I will try my best not to repeat what I have already said in the aforementioned articles, but (as you might expect) this could prove difficult. I have been known to criticize priests who preach long, rambling sermons relating to the congregation “everything they know”: but now the shoe is on the other foot, as I sit here trying to resist the temptation to tell “everything I know” about hymns … because it is all so interesting!

Augustus Edmonds Tozer (d. 1910) was an English organist who edited a famous Catholic Hymnal which he called (with great originality) “Catholic Church Hymnal.” I think it first appeared around 1905. As I have already implied (in those articles) most of the stuff that appeared in those early Catholic vernacular hymnals was pretty much … garbage. What is hilarious (to me, at least) is reading what Tozer says on the very first page of his Preface:

I have not included the proper plain-chant melodies to the translated Breviary hymns, believing them to be unsuitable when sung to words in the vernacular. I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal— as I hope this one will— to the varied needs of various churches. [my emphasis]

I would have changed his word “several” to “a whole bunch,” and if you read my previous articles, or this one [url] (which I just remembered), you will see that Adrian Fortescue and many others agree with this notion.

I have recently been thinking about hymns quite a bit, since two days ago I released 800 pages of organ accompaniments for the Campion Missal [url]. A good portion of these pages are hymn harmonizations, and you can view both volumes here:

     *  Organ Accompaniments for the Campion Hymnal [url]

I am so glad that I included a lot of different harmonizations and transpositions for the hymns. There is no “perfect” accompaniment for a hymn. After all, there can be many beautiful and adequate harmonizations. What range is good? SATB range is different than congregational. If your cantor has a low voice, a lower accompaniment is good. If he has a higher voice, a higher version would be preferred. Some organists have a “transposer” button on their organs, but many do not. Some organists cannot play hymns with a difficult key signature. This also has an effect. Usually, D Major, C Major, B-flat Major, G Major, F Major, and E-flat Major are “safe” keys. What about a pedal line? Should that be included? What about descants? What about passing tones? Should those be included? Some organists (myself included) add these only for certain verses. When will the hymn be sung? In the morning, the range should be lower. At night, the range should be higher. By the way, “range” is not the same as “tessitura.” The acoustics of the Church have an impact. Furthermore, sometimes the organist can “build”: in other words, play two verses at a lower key, then improvise into a higher key for the final verse. There are hundreds more considerations, and this is why I am so glad our newest book includes different versions for many of the hymns. I believe that more than half of the hymns are given in more than one key.

P.S.  Some organists claim they can “transpose at sight.” However, I personally have only met a handful of organists who can do this. Sometimes organists say they can transpose at sight … until you ask them for a demonstration! Other organists claim they can transpose at sight … and when it comes time for them to do it, they slow the tempo WAY DOWN. I cannot transpose at sight, except for rather simple pieces. If you are an organist who can genuinely transpose at sight, please know you are special !!! My hat is off to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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