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Views from the Choir Loft

The Devil’s Parody

Dr. Peter Kwasniewski · February 14, 2013

AINT AUGUSTINE says that our Lord Jesus Christ heals us both by what is like us and by what is unlike us. Christ is man, and so through his humanity he heals man; but Christ is God, and by his divinity, too, he heals man. Indeed, he can heal with his human touch because his human touch is that of Almighty God.

In parody of this, the devil―the “ape of God”―seeks to harm man both by like means and by unlike means.

Although the devil is pure mind, operating far above the realm of images, he leads men into the mindless activities of modern entertainment―television, video games, movies, virtual reality, where dominates the unreality of flickering images. Although silent in his intellectual evil, he leads men into ever greater noise―the din of speakers and earbuds, the satanic rock music, drowning out thought, choking noble aspirations, pushing souls ever downward into the rhythm of the concupiscible passions, chasing away the silence in which God can begin to speak. Although bodiless, he leads men into a fixation with bodies and bodiliness, such that they cannot raise their minds to spiritual things.

Speaking of likenesses, on the other hand, the devil is swift in thought and fleet in motion, and he goads modern man to become ever more seeming swift, ever more fleeting. Demonic speed translates into our mad rushing round, our minds never at rest, our desires always on the prowl, seeking what we may devour. Demonic “mastery over nature” is reflected in our technological ambitions, which are still far inferior to what the least demon has always been able to do (when permitted by Divine Providence), and yet which are approaching more and more that infernal power of distorting and maiming reality that the demons exercise in their hatred of material creation and especially of man, its pinnacle and lord. For the devil is, as St. Ignatius of Loyola reminds us, “the enemy of human nature.”

The devil is, one might say, the limit case of a mentality focused on self-will, the cult of the ego, which is the very anti-spirituality that informs modern America and the modern West. The “pro-choice” mentality echoes the demons’ choice to reject the divine means to happiness: the demons want everyone to be trapped in the same egoism as they are. Sartre and Camus are merely translating into human language the constant experience of the damned. As St. John Damascene remarked, the demons carry hell with them wherever they go. And, to paraphrase Joseph Cardinal Ratzinger, hell is pushing its way into this world, as modernity welcomes the demonic into its bosom.

In contrast, the pro-life mentality echoes and imitates the good angels who chose eternal life by the power of sanctifying grace, the divinely appointed means to a supernatural end. It sees in all life an image of the Life itself, the eternal life that is properly God’s and streams forth into the joy of countless saints in glory. Let us pray that we may be always guarded and guided by the holy angels, since, as the Apostle tells us, “we are not contending with flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” (Eph 6:12).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Urgent! • We Desperately Need Funds!
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  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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