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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Lectionary for Mass

Fr. David Friel · November 29, 2011

Along with the Roman Missal, the other book necessary for the proper celebration of Holy Mass is the Lectionary. The recent translation changes that began with Advent this year affect only the Missal, not the Lectionary. But the Lectionary, also, can cause its share of confusion when some of its fundamentals aren’t understood.

For starters, the readings are in two major cycles. The first cycle consists of readings for Sunday Mass, broken into Years A, B, & C. The second cycle is for weekday readings, and they are classified as Years I & II. In addition to these two major cycles, there is a section of Common readings provided for various celebrations and feast days (e.g., dedication of a church, feasts of martyrs, etc.), as well as a volume of readings for ritual Masses (e.g., weddings, funerals, confirmation, etc.).

So, which readings get read when? It might be helpful first to understand the structure of the different types of liturgical celebrations:

1. Solemnities: all Sundays & celebrations of major mysteries of faith and occasions of highest local importance (e.g., Christ the King, Immaculate Conception, feast of parish patron, etc.)
2. Feasts: celebrations of Our Lord, Our Lady, or the saints that are of particular importance, but not such importance as solemnities (e.g., Transfiguration, Our Lady of Guadalupe, St. Lawrence, etc.)
3. Memorials: celebrations of the saints that do not rise to the significance of feasts or solemnities (e.g., St. Isaac Jogues, St. Rose of Lima, St. John Neumann); the celebration of some memorials is obligatory, while for others it is optional
4. Ferial Days: celebrations in which no specific mystery, title, or saint is celebrated (e.g., Thursday of the 24th Week in Ordinary Time, Tuesday of the 3rd Week of Advent)

By and large, the readings for Sunday Masses and other solemnities are “proper” and not to be replaced by other readings. Exceptions to this are very rare. Readings for feasts, similarly, are often proper. On the contrary, very few memorials have proper readings (e.g., the Gospel of Martha & Mary on the memorial of St. Martha, the Gospel of the crucifixion on the memorial of Our Lady of Sorrows, etc.). It is permissible to use readings from the Common of Martyrs/Pastors/Doctors/Virgins/Holy Men on memorials, but most priests will not choose to do so.

Instead, most priests will use the readings from the daily cycle (either year I or II, appropriately) for memorials and ferial days. The primary reason for this is that the daily cycle contains continuous readings of books of the Bible. The fewer interruptions to this continuous reading, most liturgists would say, the better and more cohesive the liturgy becomes.

So, with weekday readings, there is a greater degree of latitude. A priest could choose to use special readings for a votive Mass, or the readings of the day, or readings from the Common appropriate to a particular saint. At all times, these choices are to be made not simply out of deference to the convenience or devotion of the priest, but in favor of the good of the people of God.

If you find the Lectionary & and the choice of readings for Mass confusing, you are not alone. But we can be confident in our mother, the Church, for she always provides us with an abundance of rich nourishment through the Word of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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