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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Lectionary for Mass

Fr. David Friel · November 29, 2011

Along with the Roman Missal, the other book necessary for the proper celebration of Holy Mass is the Lectionary. The recent translation changes that began with Advent this year affect only the Missal, not the Lectionary. But the Lectionary, also, can cause its share of confusion when some of its fundamentals aren’t understood.

For starters, the readings are in two major cycles. The first cycle consists of readings for Sunday Mass, broken into Years A, B, & C. The second cycle is for weekday readings, and they are classified as Years I & II. In addition to these two major cycles, there is a section of Common readings provided for various celebrations and feast days (e.g., dedication of a church, feasts of martyrs, etc.), as well as a volume of readings for ritual Masses (e.g., weddings, funerals, confirmation, etc.).

So, which readings get read when? It might be helpful first to understand the structure of the different types of liturgical celebrations:

1. Solemnities: all Sundays & celebrations of major mysteries of faith and occasions of highest local importance (e.g., Christ the King, Immaculate Conception, feast of parish patron, etc.)
2. Feasts: celebrations of Our Lord, Our Lady, or the saints that are of particular importance, but not such importance as solemnities (e.g., Transfiguration, Our Lady of Guadalupe, St. Lawrence, etc.)
3. Memorials: celebrations of the saints that do not rise to the significance of feasts or solemnities (e.g., St. Isaac Jogues, St. Rose of Lima, St. John Neumann); the celebration of some memorials is obligatory, while for others it is optional
4. Ferial Days: celebrations in which no specific mystery, title, or saint is celebrated (e.g., Thursday of the 24th Week in Ordinary Time, Tuesday of the 3rd Week of Advent)

By and large, the readings for Sunday Masses and other solemnities are “proper” and not to be replaced by other readings. Exceptions to this are very rare. Readings for feasts, similarly, are often proper. On the contrary, very few memorials have proper readings (e.g., the Gospel of Martha & Mary on the memorial of St. Martha, the Gospel of the crucifixion on the memorial of Our Lady of Sorrows, etc.). It is permissible to use readings from the Common of Martyrs/Pastors/Doctors/Virgins/Holy Men on memorials, but most priests will not choose to do so.

Instead, most priests will use the readings from the daily cycle (either year I or II, appropriately) for memorials and ferial days. The primary reason for this is that the daily cycle contains continuous readings of books of the Bible. The fewer interruptions to this continuous reading, most liturgists would say, the better and more cohesive the liturgy becomes.

So, with weekday readings, there is a greater degree of latitude. A priest could choose to use special readings for a votive Mass, or the readings of the day, or readings from the Common appropriate to a particular saint. At all times, these choices are to be made not simply out of deference to the convenience or devotion of the priest, but in favor of the good of the people of God.

If you find the Lectionary & and the choice of readings for Mass confusing, you are not alone. But we can be confident in our mother, the Church, for she always provides us with an abundance of rich nourishment through the Word of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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